A recreation of two classic chorus pedals, the CE-2W from BOSS is intended for use with electric guitars. It provides two modes of chorus and one mode of vibrato in a single stompbox enclosure. The pedal’s Standard mode faithfully reproduces the sound of the original mono CE-2. The dual CE-1 modes, on the other hand, provide the tone and timbre of a vintage CE-1—its stereo chorus and vibrato are both represented here. Furthermore, a couple of additions bring the pedal increased functionality over the original CE-1 and CE-2. Such additions include variable chorus depth control in CE-1 mode, as well as two output jacks for an expanded stereo sound in CE-2 mode, which enables you to route your signal to dual amplifiers, if stereo chorus is your preference. Purchase of this pedal includes a 9V battery.
The CE-5 Chorus Ensemble from BOSS is a compact chorus pedal that covers a wide frequency range and features high- and low-cut filters. This allows you to create a vast array of chorus effects, from mild, natural chorus, to clear and penetrating stereo chorus effects.
The CEB-3 Bass Chorus Pedal from BOSS offers a split-frequency chorus effect capable of applying warm, rich chorusing to the higher frequencies without muddying up the lows. A Low Filter knob helps you further shape your tone. It’s an ideal chorus pedal for bassists.
The CS-3 Compression Sustainer Pedal from BOSS compresses louder signals while boosting lower signals, providing smooth sustain without degrading the original sound quality. This pedal is great for bringing out the attack in your playing, catering to chickin pickin’ techniques, country and western, and lead playing.
A part of their Waza Craft series, the BOSS DC-2W combines two classic Roland Dimension effects in a single pedal, one suitably sized for your pedalboard. Similar to a chorus effect, the DC-2W provides time-based manipulation that adds dimension to your sound, subtly enhancing both width and depth. The pedal offers two modes: Standard, which gives you the sound of the original DC-2 Dimension C pedal, and SDD-320 mode, which authentically reproduces the sound of a vintage Roland unit heard on many hit records. The interface is rather simple and intuitive: four different selectors switch among presets. Press two selectors at once to unlock even more presets. Between the two modes, you can get 20 different sounds out of the pedal.
Intended for guitarists, the BOSS DD-200 is a digital delay pedal that packs many of the DD-500’s features and sounds into a smaller footprint. The pedal offers 12 different types of delay, including tape, analog, lo-fi, reverse, and many more. You can control these effects with Time, Feedback, Effect Level, Tone, and Modulation Depth. You’ll also note the Parameter knob, whose function changes depending on the effect you select.
The DD-3T from BOSS is a compact digital delay effects pedal for guitar. It enables you to create different effects by delaying your guitar’s signal between 12.5 and 800 ms. These delays are segmented into three different ranges for ease of setup. You’ll find this pedal a suitable tool for adding ambience or discrete echoes.
With an expanded delay time of up to 10 seconds and new delay sounds, the BOSS DD-8 Digital Delay Pedal can find a way onto your pedalboard. You can apply the pedal to nearly any playing style. The DD-8 is a digital delay with high-fidelity repeats, but it also offers eleven delay modes in total including a loop mode. Analog, Tape, Reverse, Shimmer, Warp, and more, the pedal gives you much in the way of options.
Designed for acoustic musicians on the go or just jamming out at home, the DR-01S Rhythm Partner from BOSS is an electronic percussion engine which provides organic-sounding, simple grooves in a variety of rhythms, styles, and instrument combinations. Use the DR-01S to bolster your performance as you busk in the park, or simply replace your staid, rigid metronome with a pattern sporting a little more groove and bounce. In either scenario, an on-board speaker plays back rhythmic samples in 24-bit digital conversion to ensure high sound quality.
The DS-1 is a classic BOSS distortion pedal that has been used by many famous rock guitarists, such as Joe Satriani. This versatile pedal can be used for guitar or keyboards, and provides Distortion, Level and Tone control to tailor overall sound as desired.
Get two distortion sounds in one pedal with the BOSS DS-2 Turbo Distortion. Selectable via the front panel or a separately available footswitch (such as the FS-5L), the DS-2 has two types of distortion on tap. The first mode, called Turbo Mode I, provides warm and mellow distortion with a flat frequency response. The second mode, called Turbo Mode II, adds more bite and midrange; great for kicking on in time for a solo. In addition to the mode selection, the front panel holds classic, easily adjustable controls for Level, Tone, and Distortion.
Intended for guitarists, bassists, or keyboardists, the BOSS EQ-200 is a graphic equalizer with a host of usable features for the discerning player. For instance, you can switch between three different frequency ranges at will. EQ between 30 Hz to 12.8 kHz, 32.1 Hz to 16 kHz, or 28 Hz to 14 kHz. You’ll have 10 bands of boost or cut, with a range of ±15 dB. The pedal can operate in mono, stereo, or dual mono for flexibility in tone shaping. You can store up to four custom curves in the memory bank, EQ the left and right independently or linked, and even place external gear in the insert path. Hook up an external footswitch or expression pedal and you’ve got real-time control over the pedal. MIDI connectivity is possible via two 3.5mm jacks, one for the input, the other for the output.
Featuring five independent loops, the BOSS ES-5 is an advanced effects switching system that can fit on smaller pedalboards. Each of the five loops can be switched on or off with the silent vacuum-style footswitches, and/or reordered for exacting tone-crafting with your existing pedals. While the ES-5 is digitally controlled in order to facilitate advanced switching and bank storage, the signal relays are all analog to preserve your tone. For true-bypass switching, the buffers offered on the loops can be turned off for each individual loop, perfect for vintage effects that work better with high-impedance signals. All of the loop settings can be stored in the ES-5’s 200 banks for instant recall.
Designed for the real-world needs of professional performing musicians, the ES-8 from BOSS is a highly programmable guitar effects switching system offering an unprecedented amount of routing flexibility. The ES-8 features eight effects loops with the ability to change the routing order and create parallel effects chains. The loops are controlled by an analog switch array that provides fast, flexible, and transparent switching. When a loop is not active, your guitar completely bypasses it for clear and pure signal transfer. Separate input and output buffers are available, and these can be switched on/off individually as needed.
The FDR-1 from BOSS, in conjunction with Fender, brings you the sound of the 1965-era Fender Deluxe Reverb, known for its responsive, overdriven sound. Level, gain, treble, bass, vibrato, and reverb controls controls let you fine-tune your sound. The FDR-1 can also be used as a pre-gain pedal, being placed before an amp that’s already overdriven to add the Deluxe Reverb tone to it.
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