This is before you get to the back panel and you realise you also have a powerful D.I Out, USB out, Headphone Out, Aux In, FX Loop, Tuner out, Remote footswitch control and a single speakon out to go to your cab of choice. All of these IO options are extremely useful at one time or another so having them all in one small amp is like a dream come true for a lot of players.
The LX range takes its design cues from the more aggressive side of life – dark & brooding. More than just practice amps, fitted with rugged metal grilles and tattoo graphics giving them looks and strength to be taken to the extreme. The LX65R packs a mean punch when it comes to gig worthy combos. It’s twin channel pre-amp covers all the bases from a tone point of view and it 1 x 12” Custom HH driver handles everything the 65 watts RMS output section throws at it whilst still remaining portable and easy to lug round in the boot of your car or back of the van. Featuring true twin channels – Clean and Distortion both switched by an optional FS2– each with its own independent 3 band EQ. The Distortion channel also feature switchable XTS tone shaping for even more extreme tonal options. Another cool feature is the on-board CD/MP3 input for playing along with your favourite band. This LXR model comes with on-board reverb as well as an FX loop, a headphone socket and finally a line out socket. Finished in a tough black Rolex and kick proof metal grille the LX generation will survive endless gigs onstage as well as the rigours of the road.
The Laney R500H is a solid-state head packing an impressive 500W RMS into a very lightweight chassis providing versatility, portability and reliability to all levels of bass player from rehearsal room to a large stage. The front panel houses Normal or High jack inputs a balanced XLR D.I. provides direct, mic-free mixer connection when recording or performing live. An Aux input allows play-along to a backing track and a headphone socket allows for late night playing.
Tony’s backstage amp, the Laney TI15-112 takes all the raw power and tone of the TI100’s high gain channel and crams it into a compact single channel all tube amp. Utilizing Laney’s unique dual wattage input option means you can push the EL84 output section hard and get 15 watts rms of full on tone or plug into the less than 1 watt and get exactly that — your same great tone but at less than 1 watt.
The TI15-112 also features the cool flexibility of being able to record both silently, for late night recording sessions or in live situations via the SPEAKER EMULATED RECORD OUT feature on the rear panel.
The Cambridge Audio MXN10 is a compact, half-width network streamer featuring the ESS SABRE ES9033Q DAC and StreamMagic Gen 4 platform. It delivers high-resolution streaming—including 32-bit/768 kHz PCM and DSD512—via Wi-Fi, Ethernet, Bluetooth 5.0, AirPlay 2, Chromecast, Spotify Connect, Tidal, Qobuz, and Roon Ready—perfect for discreetly upgrading any hi-fi system. :contentReference[oaicite:0]{index=0}
The KB 4 was designed as a personal PA system in a keyboard amp. The KB 4 features separate inputs on each channel and can easily handle voice, microphones and other instruments, including acoustic and electric guitars, drum machines and backing machines, such as CD and DAT players. Other essential features include stereo effects loop, ground lift, master level, XLR balanced stereo line out, DDT™ defeat switch and the capability to drive an external speaker.
The Roland BA-330 Portable Stereo PA Amplifier and Speaker System is a rugged and lightweight self contained PA system with four 6.5″ speakers, two tweeters, plenty of microphone and line inputs for instruments and stereo player devices, and onboard effects processor. The BA-330 is constructed to handle the rigors of life on the road, but is also lightweight and easily portable with a handle and built-in tilt-back stand for using the BA-330 as a stage monitor. The BA-330 is well suited for portable PA applications, presentations, instruction,
Having updated and redefined their proprietary Tube Logic modeling technology, this Roland Blues Cube Artist is an 85W, 2×12 combo amplifier intended for use with electric guitars. It aims to instill the familiar tone and feel of traditional tube amps, but without the weight or maintenance involved. Featuring two channels and two 12″ speakers, this amplifier is suitable for clubs and other smaller venues. Its extra five watts, compared to its 1×12 sibling, should provide you with enough headroom to cut through the mix when necessary.
Designed by Roland to give you everything you’d need to be heard whilst busking on the street—minus the talent, of course—the CUBE Street EX PA provides two CUBE Street EX Combo Amplifiers, two AC adapters, two cables for stereo-linking each CUBE, a carry case, and an i-CUBE-LINK cable for use with the CUBE JAM app. Between each Cube’s 50W power output, input options, and coverage capabilities, this package will give you the ability to plug in eight channels of sound, amplify them at 100W—in stereo, to boot, should you opt to use the included cables. You can also hook in your iPhone or iPad via the i-CUBE link if mobile-based backing tracks pique your fancy. When you’re all done, you can cart everything home in the included carry case, which is tall enough to stack both CUBEs, and furthermore, boasts an external pocket to store cables and such.
he CUBE-10GX Guitar Amplifier from Roland features 3 preset COSM amp types that can be replaced with custom COSM amps via the iOS- and Android-compatible CUBE KIT app. In addition to its COSM amp tones, the CUBE-10GX has onboard Chorus, Delay, and Reverb effects, and Bass, Middle, and Treble controls to help you shape your tones. Its record/headphone output jack allows it to be used for silent jamming as well as in the studio and on stage. The amp sports a custom-designed 8-inch speaker and is capable of up to 10 watts of output. It also features an auxiliary input that allows you to connect your smart device or MP3 player to play along with your tracks.
The black Cube Lite Guitar Amplifier from Roland is a 2.1 channel audio system designed to allow you to play along with and record to your iPhone, iPad, or iPod touch. A pair of three-inch stereo speakers and a three-inch subwoofer produces 10 watts of total output. If you need to practice silently, the Cube Lite has a 1/8″ headphone jack that mutes the speaker output when in use. Featuring Roland’s COSM amp modeling technology, you can select your desired tone from built-in JC Clean, Crunch, and Extreme settings. The Cube Lite connects to any iOS device through its i-Cube Link input and included four-pole mini cable. With the free CUBE JAM app, you can play along with your own tracks, or record directly to your iDevice. You can also use the Cube Lite as a playback device for your digital music library when not jamming.
The KC-110 from Roland is a battery-powered stereo keyboard amplifier with three separate input channels (including an XLR microphone input), built-in effects, and lots of useful features like the ability to mount on a speaker stand. You can plug stereo keyboards, a microphone, and other line-level devices into the KC-110 (such as a drum machine and an MP3 player) and it will amplify the sounds either on battery power or when plugged into AC power with the included adapter.
The Roland PM-200 is a premium, all-in-one monitor designed for use with the V-Drums electronic percussion products and features a full-range audio system with 80W of power, which powers the custom 10″ woofer and a horn-loaded tweeter.
The CUBE Street EX from Roland is a compact, battery-powered portable amplifier/speaker combo that infuses the already popular mobile amp line with a performance upgrade that delivers extended projection, more channels, and enhanced versatility. Fifty watts of power and a stereo speaker system with dual woofers and tweeters provide clean sound for reaching larger crowds, while four independent channels offer connections for a variety of microphones and instruments.
Multi-purpose, multi-function mixer/power amplifiers specifically designed for maximum versatility and cost-effective high-performance are ideal units for any PA requirement in locations such as shops and offices and other small to intermediate sized environments. A choice of different power outputs are offered as well as as paging override of BGM.