This compact, true-bypass boost pedal is built to the specs of legendary Black Sabbath guitarist Tony Iommi. With mono/stereo output, versatile EQ controls, battery-optional power and more, this secret weapon will let you tear a hole in the sky.
This open backed Laney CUB-112 1 x 12 Cabinet is lightweight and easy to transport and makes an ideal partner for any Laney guitar head.
This cabinet delivers pure vintage tone in a small format and can be used in either landscape or portrait and is the perfect partner to the CUB-SUPERTOP. At the heart of the cab is a custom voiced HH driver. This driver features enormously detailed and complex overtones, a warm low-end, a rich vocal mid-range and a beautifully detailed top-end.
Featuring an ergonomic, straight ahead single channel, with three band EQ plus a great sounding footswitchable BOOST function. Loaded with a specially designed and voiced HH Driver the CUB-SUPER10 delivers 6 watts of toneful SINGLE ENDED CLASS A tube tone from the 2 x 12AX7 pre amp tubes and the 1 x EL84 output tube. Real tubes running hot giving you great dynamic tube tone. Fitted with an FX loop and an external speaker socket the CUB-SUPER10 is as happy on stage as it is in the studio.
The Laney CUB-SUPER12 is a great sounding boutique style all-tube amp.
Featuring an ergonomic, straight ahead single channel, with three band EQ plus a dynamic, footswitchable BOOST function. The CUB-SUPER12 features a footswitchable on-board reverb powered by the highly acclaimed spring reverb algorithm from the Black Country Custom SECRETPATH pedal. Loaded with a custom designed and voiced HH 12″ driver the CUB-SUPER12 delivers 15 watts of pure CLASS AB tube and features the ability to be run at <1 Watt by plugging into the <1 Watt input. The CUB-SUPER12 is loaded with 3 hand selected 12AX7 tubes in the preamp and a pair of EL84 output tubes in the output section. The CUB-SUPER12 is loaded with an insert style FX loop and external speaker socket.
The Laney Cub-Supertop 15W tube guitar amp head offers boutique style, an ergonomic, straight-ahead single channel, with three band EQ plus a dynamic, foot switchable Boost function and more. The Cub-Supertop also features a foot-switchable on-board reverb powered by the highly acclaimed spring reverb algorithm from the Black Country Custom Secret Path pedal.
The Cub-Supertop delivers 15 watts of pure CLASS AB tube in a compact portable head and features the ability to be run at 1W by plugging into the 1 Watt input. The Cub-Supertop is loaded with a pair of hand-selected 12AX7 tubes in the preamp and a pair of EL84 output tubes in the output section.
A Class AB power section is based on the notion that music is a waveform and linear in nature – i.e. you only get a +ve section followed by a -ve section, you never get a +ve & -ve occurring at the same time. In a Class AB amplifier, the input signal is split into the +ve and the -ve sides of the waveform and each respective part is sent to a separate tube or tubes and amplified accordingly
Allows you to drive the output stage of the amplifier harder at reduced output levels should you need to use the unit in situations where full volume is not appropriate.
On-board studio quality reverb. Reverb gives you a sense of the space that you are in. A dry guitar signal can sound a little dull. Adding the right about of reverb provides the guitar signal with ambience and brings it to life.
FX loops are important as they allow you to add effects to the signal path in a specific place between the pre-amp and the output section on an amplifier. This is where FX loops are important as it allows you to put time-based FX after the distorted pre-amp section. For example, delayed distortion sounds different to distorted delay – try it.
The Laney Digbeth DB-PRE is designed to give you the freedom to take your bass sound with you anywhere you go. Featuring both FET & TUBE signal paths and with incredible tone shaping capabilities, the DB-PRE is loaded with comprehensive ins/outs allowing it to be your main standalone bass tone as well as part of any existing bass rig. Perfect for the versatile bass player who wants total control over their sound.
Tilt is a dynamic, powerful SEE SAW EQ control. This control has a central neutral position. Turning the control clockwise increases the overall mid to high frequencies and decreases the lows thereby giving your sound more presence, which can be useful for cutting through live band situations. Turning the control anti clockwise reduces the overall mid to high frequencies and increases the lows making your overall sound rounder.
The Digbeth DB200-210 combo offers vintage appeal and ultra-modern functionality in a compact format. The DB200-210 delivers a range of FET & Tube tones not previously available, in a super compact, powerful and portable bass amp. Why Digbeth?… it’s where were we born, with a bass in our hands!
Tilt is a dynamic, powerful SEE SAW EQ control. This control has a central neutral position. Turning the control clockwise increases the overall mid to high frequencies and decreases the lows thereby giving your sound more presence, which can be useful for cutting through live band situations. Turning the control anti clockwise reduces the overall mid to high frequencies and increases the lows making your overall sound rounder.
The Laney DIGBETH DB200H celebrates our heritage in bass. Compact, powerful, ultra-modern functionality paired with vintage appeal. The DB200H packs clarity, punch and a wide dynamic range. The DB200H appeals to modern bass players looking for a range of FET and Tube tones not previously available in a super compact, powerful and portable bass amp.
The Laney DIGBETH DB500H celebrates our heritage in bass. Packed with vintage appeal and ultra-modern functionality, the DB500H gives the modern bass player a range of FET and Tube tones not previously available in a compact, powerful and portable bass amp.
Tilt is a dynamic, powerful SEE SAW EQ control. This control has a central neutral position. Turning the control clockwise increases the overall mid to high frequencies and decreases the lows thereby giving your sound more presence, which can be useful for cutting through live band situations. Turning the control anti clockwise reduces the overall mid to high frequencies and increases the lows making your overall sound rounder.
The DBV212-4 is a powerful, dynamic, compact mid-sized cabinet loaded with a pair of vertically aligned 2×12” vintage voiced HH Black Label series ceramic drivers. Designed to accentuate the impressive punch and tone of its ceramic drivers and move some serious air, the DBV212-4 may have a small footprint but its pro performance is anything but small! Equally at home or on stage or studio gig, the DBV212-4 delivers masses of punchy warm vintage tone. The DBV212-4 matches with either the DB500H or DB200H Digbeth heads.
The DBV212-4 is a powerful, dynamic, compact mid-sized cabinet loaded with a pair of vertically aligned 2×12” vintage voiced HH Black Label series ceramic drivers. Designed to accentuate the impressive punch and tone of its ceramic drivers and move some serious air, the DBV212-4 may have a small footprint but its pro performance is anything but small! Equally at home or on stage or studio gig, the DBV212-4 delivers masses of punchy warm vintage tone. The DBV212-4 matches with either the DB500H or DB200H Digbeth heads.
The Digbeth DBV410-4 is designed for the bass player who demands a powerful and dynamic single compact cabinet set up. Loaded with 4×10” vintage-voiced HH Black Label series ceramic drivers, the DBV410-4 is designed to accentuate the impressive midrange punch and tone of the drivers working together in a tuned cabinet. It delivers superb top-end tone thanks to the 1” LaVoce Compression driver, and its warm vintage tone is at home on any stage or studio gig. The DBV410-4 matches with either the DB500H or DB200H Digbeth heads.
The Digbeth DBV810-4 is a classic stage ready cabinet, loaded with 8×10” vintage voiced HH Black Label series ceramic drivers. Designed to move some serious air, it generates a warm punchy vintage tone capable of filling the biggest stadiums. The DBV810-4 pairs beautifully with the DB500H, really punches your bass sound through the mix and, let’s face it, looks cool!
The DH80 is designed to deliver a wide variety of electronic percussion sounds at home, in the classroom or wherever you choose to use it. Its small footprint, hard hitting output and multiple inputs makes it a real winner in the classroom Practice has never been easier – the BLUETOOTH aux in allows you to stream tunes directly from your phone and practice to your hearts content whatever the time of day making use of the headphone socket.
The new IRONHEART 2 x 12″ combo – the IRT60-212 bangs out 60 watts RMS of all ECC83 & 6L6 valve tone with masses of gain and like its metal relatives – such as the Laney KLIPP and the Laney AOR hits you hard between the eyes like a power hammer from hell!
The Combo houses three sonically distinct channels: – Clean, Rhythm & Lead all with independent level controls. The Clean and the Rhythm channels share a 3- band EQ with pull-push shift features on each control that gives you total control over your sound allowing you to dial in that killer tone.
The IRT60-212’s Lead channel has an independent 3- band EQ with pull-push shift features on each control allowing for some radical lead tones.
The Pre Boost feature makes the need to carry additional boost pedals redundant! Something any gigging player will admit is a great feature. On the IRT60-212 the footswitchable Pre Boost works just like kicking in your favourite boost pedal right before your amp. It’s available where ever you are on the preamp and can be switched in or out via the supplied footswitch.
A standout feature of the IRT60-212 range is the WATTS control in the master section. This allows you to really screw down the output of the IRT60-212’s 2 x 6L6 output section, down to less than 1 watt! Great for getting the sound of a full -blown metal head at bedroom levels.
Combine this with a Dynamics control which tightens up you low end when you’re playing a full power and you have a great metal tone at whatever level you decide to play at.
The Tone control works really effectively and allows you to make quick adjustments to your overall sound should you for example change guitars.
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