Plug into the SM200 and play one of your favorite licks. Each note slowly swells to its full volume—the same effect you get when you turn down the volume, pick the note and gradually turn the volume back up. But the SM200 does it automatically and much more consistently. Chords with string-bends are magically transformed into pedal-steel chops and single-note passages take on the characteristic sound of a violin or cello being bowed. And if you really want to warp some minds, combine the SM200 with our Digital Delay DD600 and mimic the sound of your hottest licks being played backwards!
The Eurocom SN2108 80-Watt Mixer and Amplifier with 70-Volt Output from Behringer is a multi-function mixer and transformerless Class-D amplifier designed to be used for continuous operation in distributed music, paging, and AV applications. It can be used in retail, hospitality, office, medical, educational and industrial settings. It features three 1/4″ TRS inputs that accept both balanced and unbalanced signals. It additionally has dual stereo summed RCA auxiliary inputs that can provide playback from external sources such as CD or MP3 players, radios, or television tuners. The unit has a 70-volt, two-position terminal strip speaker output.
The Eurocom SN2408 80-Watt Mixer and Dual Amplifier from Behringer is designed for continuous operation in distributed music, paging, and AV applications in bars, recreation facilities, conference rooms, hotels, and other venues. It is powered by two independent Class-D mono amplifiers with DC and thermal overload protection. The first amplifier has a high impedance output and can be set to either 70 or 100 volts. The second amplifier has a standard low-impedance output.
The SUPER OCTAVER SO400 generates up to two additional signals, one and two octaves below your single notes, respectively. ThatÂ’s some massive bottom-end! And by switching to its Polyphonic Octaves function, you can even super-size chords into bursting clusters. Wanna play bass lines with your guitar? Wanna play synth-like lines with the addition of some fuzz with your guitar or bass? The SUPER OCTAVER SO400 will make your tonal dreams come true.
From retro-psychedelic to laser guided metal, thereÂ’s always a place in your pedal chain for the SP400 SUPER PHASE SHIFTER. The SP400 lets you experience the classic styles of multistage phasers, plus allows you to tap into completely modern sounds.
The 32-Input, 4-Bus EURODESK SX3242FX allows you to effortlessly achieve premium-quality sound, thanks to 24 of our studio-grade XENYX Mic Preamps, 2 full stereo channels with 4-band EQ, plus 2 additional sets of stereo inputs channels with Level and Aux controls.
Since the early days of recording, sound engineers have been searching for the best-sounding mics for recording acoustic instruments and the human voice. The resounding choice of professional recordists around the globe has been the tube condenser microphone. Why? Because nothing compares to the sound captured by a good tube condenser microphone – so open, warm and full of character. But buying a tube mic can wipe out a home-recording budget faster than you can say “phantom power supply.” That’s why we’re so very proud to present our T-1 microphone. This incredible mic exemplifies our commitment to quality and value – now anyone who can afford a decent live microphone can get a studio-grade, tube-powered condenser mic for about the same price.
The sound of tubes is undeniably rich and smooth. At the heart of each T-47 microphone is a hand selected 12AX7 tube, which has been specifically designed to give this mic its incredible sonic character. One major advantage a tube condenser mic has over its solid-state counterpart – the T-47 is not subject to the rapid rise of odd-order harmonics, which the ear perceives as highly unmusical. Even when subjected to extremely-high sound pressure levels, the T-47 mic reacts in much the same way as the human ear.
The TA 312S Gooseneck microphones bring a whole new meaning to the word flexible. Beyond their fully adjustable goosenecks lies a new level of flexibility. Designed for easy replacement and available in cardioid directional characteristic offer wide frequency response and accurate sound reproduction for a broad variety of applications, such as musician and stage communication by directly plugging in to your X32 consoles, courtrooms and conference centers.
Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-BK lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-BK is sure to become one of your favorite synthesizers.
Setting up amps, dialing in tones and positioning mics takes a lot of time and patience. Step on the amazing TUBE AMP MODELER TM300 and skip straight to the good part! The TM300 features authentic modeling technology for 3 classic guitar amps, 3 gain modes and 3 mic placements for a total of 27 configurations that let you easily achieve the most sought-after tube amp sounds – from clean to crunch to super-fat distortion.
If the meat and potatoes of rock ‘n’ roll is to your liking, you’ll live happily ever after with all the timeless tone we’ve packed inside this impressive little box. It just doesn’t get any more classic than the Behringer Tube Overdrive TO100. You’ve got everything you need for amazing tone: Drive, Tone and Level controls – after all, isn’t that what rock ‘n’ roll’s all about?
What’s bright green and goes from 1 to 11 as fast as you can step on the “On” switch? ItÂ’s the very essence of rock ‘nÂ’ roll, our screaming-hot VINTAGE TUBE OVERDRIVE TO800 effects pedal! The classic sound of blazing, overdriven vacuum tubes never goes out of style, and theyÂ’re at your command – when you have the VINTAGE TUBE OVERDRIVE TO800 in your effects chain.
Put the heartbeat back into your playing with the ULTRA TREMOLO/ PAN TP300 stereo effects pedal. Unleash a rotating speaker vibe, vintage rock mojo – or create a new feel all your own via the dedicated Depth, Rate and Mode controls. You can even patch the TP300 into the Insert connection of your PA mixer for unbelievable vocal effects!
The TU100 gives you 7 different tuning modes, including Regular, Flat, Double Flat and Chromatic mode. A precise 7-segment LED and 11-point Stream Meter guarantee accurate tuning. You can adjust the reference tone in the range between 438 and 447 Hz, plus there is a mute function for silent tuning. We have also included a status LED for effect On/Off and battery check, and you can run your TU100 on a 9 V battery or a DC power supply (not included). For absolutely noise-free operation, a first-class electronic On/Off switch is integrated.
