The NEXUS N210 cabinet is an ultra-light, high performance bass enclosure, loaded with neodymium drivers and finished in Laney’s Tuffstuff coating, the NEXUS N210 has been designed to be used in conjunction with the NEXUS-SL and SLS bass head.
The N210 is loaded with a LaVoce neodymium 15” driver plus a La Voce 1″ exit compression driver which is switchable to on/off and half power settings. Selected exclusively for the NEXUS range, these Italian-designed speaker components are truly outstanding for bass.
The lightweight, heavy duty, plywood cabinet is then finished in Laney’s Tuffstuff: An incredibly tough, ultra-durable and resilient polyurethane coating designed to deal with the rigours of life on the road.
The Nexus N410 Cabinet is an ultra-light, high performance bass enclosure, loaded with neodymium drivers and finished in Laney Tuffstuff coating, The Nexus N410 has been designed to be used in conjunction with the nexus-sl and SLS bass head. The N410 is loaded with 4 x lavoce neodymium 10” drivers Plus a La Voce 1″ Exit compression driver which is switchable to on/off and half power settings. Selected exclusively for the Nexus range, These Italian-designed speaker components are truly outstanding for bass. The lightweight, heavy duty, plywood cabinet is then finished in Laney Tuffstuff: an incredibly tough, ultra-durable and resilient polyurethane coating designed to deal with the rigors of life on the road.
With all the power and punch you would expect from a Laney cab but now without the weight to go with it! Packed with Celestion Neodymium drivers you still get an amazing performance with plenty of low end “oomph” but without the traditional mass of the magnet! The perfect candidate for taking on the road, use its impressive 800 watts to create a huge sound from clubs to festivals around the world!
Nexus cabinets are loaded with cutting edge Celestion Neodymium drivers, which use ultra powerful magnet material in order to allow the mass of the magnet to be reduced without compromising the performance of the driver. Result: same great performance but with a greatly reduced cabinet weight which makes life on the road with a Nexus stack much more manageable.
The NX410 is fitted with the exceptionally impressive 10” Celestion Neodymium which gives amazing performance which reducing the weight of the cabinet dramatically. A mighty 800 -watts power handling can be accessed via Neutrik combination sockets that accept Speakon or ¼-inch jack cables mounted on the rear panel.
The NEXUS-SL was designed and conceived with the simple goal of making the best bass amplifier on the market. Hear it and believe! The nexus-sl’s power amplifier section combines the power and portability of cutting-edge class D Technology with the natural warmth, compression and dynamic range that only a tube can give: a high voltage ECC83 tube sits between the preamplifier and the 1000W RMS power section. The ergonomic front panel design allows great bass tone to be found easily. The bottom row of control knobs houses tone shaping, the top row houses bass-sympathetic digital effects: space (reverb or chorus) and interval (octaves or 5ths). Laney developed two unique functions to control the NEXUS-SL power stage. ‘Tilt’ is an instant ‘EQ seesaw’ and ‘touch’ adjusts the feel of the output response.
While a lot of Class D amps are smaller and some even have a bit more power, none have the same feature set as this amplifier. On the front panel you not only have your standard 3 band EQ with parametric Mid sweep but also a 4 way shape control, tilt, touch, space, interval and focus controls that all give you an extra level of flexibility that very few Class D amps can offer.
This is before you get to the back panel and you realise you also have a powerful D.I Out, USB out, Headphone Out, Aux In, FX Loop, Tuner out, Remote footswitch control and a single speakon out to go to your cab of choice. All of these IO options are extremely useful at one time or another so having them all in one small amp is like a dream come true for a lot of players.
The LX range takes its design cues from the more aggressive side of life – dark & brooding. More than just practice amps, fitted with rugged metal grilles and tattoo graphics giving them looks and strength to be taken to the extreme. The LX65R packs a mean punch when it comes to gig worthy combos. It’s twin channel pre-amp covers all the bases from a tone point of view and it 1 x 12” Custom HH driver handles everything the 65 watts RMS output section throws at it whilst still remaining portable and easy to lug round in the boot of your car or back of the van. Featuring true twin channels – Clean and Distortion both switched by an optional FS2– each with its own independent 3 band EQ. The Distortion channel also feature switchable XTS tone shaping for even more extreme tonal options. Another cool feature is the on-board CD/MP3 input for playing along with your favourite band. This LXR model comes with on-board reverb as well as an FX loop, a headphone socket and finally a line out socket. Finished in a tough black Rolex and kick proof metal grille the LX generation will survive endless gigs onstage as well as the rigours of the road.
The Laney R500H is a solid-state head packing an impressive 500W RMS into a very lightweight chassis providing versatility, portability and reliability to all levels of bass player from rehearsal room to a large stage. The front panel houses Normal or High jack inputs a balanced XLR D.I. provides direct, mic-free mixer connection when recording or performing live. An Aux input allows play-along to a backing track and a headphone socket allows for late night playing.
Tony’s backstage amp, the Laney TI15-112 takes all the raw power and tone of the TI100’s high gain channel and crams it into a compact single channel all tube amp. Utilizing Laney’s unique dual wattage input option means you can push the EL84 output section hard and get 15 watts rms of full on tone or plug into the less than 1 watt and get exactly that — your same great tone but at less than 1 watt.
The TI15-112 also features the cool flexibility of being able to record both silently, for late night recording sessions or in live situations via the SPEAKER EMULATED RECORD OUT feature on the rear panel.
A premium bundle pairing Audeze’s open-back planar-magnetic LCD-2C Classic headphones with Chord Electronics’ Mojo 2 — a class-leading portable DAC + headphone amplifier. Designed for high-resolution listening on the move or at home, this package combines warm, spacious Audeze headphones with Mojo 2’s advanced FPGA-based digital conversion and powerful headphone drive.
Audeze’s flagship LCD-5 planar magnetic headphones deliver exceptional clarity, pinpoint imaging and an open soundstage with redesigned lighter-weight construction (≈420 g), Fluxor magnets, new Parallel Uniforce™ voice coils, sculpted earpads and a premium braided cable — engineered for long listening sessions with minimal fatigue.
A premium bundle combining Audeze’s LCD-5 flagship planar magnetic headphones with Chord Electronics’ Hugo TT 2 DAC/headphone amplifier — designed to deliver reference-level detail, wide dynamic range, and high power output to drive demanding headphones.
The Lexicon BOB-32 breakout box transforms up to 32 channels from the BLU link digital audio bus into analog audio, compatible with the QuantumLogic™ Immersion processor (QLI-32). It features rear-mounted DIP switches for easy configuration of 32 consecutive channels from the 256 available on the BLU link. Front panel LEDs indicate signal presence and power status.
The Lexicon QLI-32 cinema processor offers an immersive sound experience with up to 32 channels of surround sound, providing compatibility with existing cinema processors and delivering intelligent, flexible, and budget-friendly audio solutions for any cinema setting.
The Lexicon PCM92 audio processor utilizes advanced DSP technology to deliver 28 mono and stereo reverbs, delays, and modulation effects. Building on the design and technology of the PCM81, PCM91, and PCM96, it features flexible routing configurations and over 1200 presets, making it suitable for both live sound and studio applications.
