The LX412 -a rugged, performance ready 4 x 12” cabinet designed for the LX range. The LX412 is capable of handling 200 watts, which makes it ideal for gigs The LX range of solid-state electric guitar amplifiers offers legendary Laney guitar tone and reliability from practice room to stage. Designed and engineered in Great Britain, the LX412 delivers 200 Watts of power and is equipped with 4×12” custom-designed drivers The LX412 is built to withstand the rigors of the road but it is not difficult to carry around using the side mounted easy grab handles. Finished in a heavy-duty granite tolex and with steel corners protectors, your LX412 cabinet will be gigging for years to come.
The Laney LX120RT is a highly versatile twin combo, featuring a huge 120 watt output section that can drive into 4 ohms. The Laney LX120RT also features separate EQ for each channel, line out socket, FX loop, speaker output, CD input and onboard high quality reverb. With all these goodies under the hood, it really does deliver the goods. Specification Power: 120W Two channels Single input Speakers: 2×12″ HH Controls: 3-band EQ, drive, reverb, volume Built-in reverb FX loop Aux. input Output: 8 ohm, 1/4″ Dimensions: 17.83″ x 26.53″ x 10.74 Weight: 40.78 lb.
The LX range takes its design cues from the more aggressive side of life – dark & brooding. More than just practice amps, fitted with rugged metal grilles and tattoo graphics giving them looks and strength to be taken to the extreme. The LX65R packs a mean punch when it comes to gig worthy combos. It’s twin channel pre-amp covers all the bases from a tone point of view and it 1 x 12” Custom HH driver handles everything the 65 watts RMS output section throws at it whilst still remaining portable and easy to lug round in the boot of your car or back of the van. Featuring true twin channels – Clean and Distortion both switched by an optional FS2– each with its own independent 3 band EQ. The Distortion channel also feature switchable XTS tone shaping for even more extreme tonal options. Another cool feature is the on-board CD/MP3 input for playing along with your favourite band. This LXR model comes with on-board reverb as well as an FX loop, a headphone socket and finally a line out socket. Finished in a tough black Rolex and kick proof metal grille the LX generation will survive endless gigs onstage as well as the rigours of the road.
Delivering what feels like a living, breathing tone, the VC30 is 12″custom designed dynamic amp. The single channel has Hi and Lo inputs, footswitchable gain stages with own level control, 3-band EQ, and a bright switch. Also includes reverb, effects loop, and a footswitch.
The VC30-212 is a very dynamic amp and can be easily controlled by the pressure of your pick on the strings and many tones can be found between one and ten on your guitar’s volume knob. From a chiming bright clean sound to the vintage caress of the creamy overdrive, whether it is single coils or hum buckers, the VC30 delivers.
The VC’s clean channel is immediately impressive and lives up to its name remaining clean almost all the way to the maximum volume, when it begins to break up in the perfect pleasant way you only get from pushing an EL84 hard. Drive-wise the VC range has its roots in the bluesy side of things, but push the front end of the amp a little harder with a pedal and the gain really sings.
There’s nothing quite like the sound of a tube. That’s why the Laney LV200 features an ECC83 placed at just the right point in the signal path for that dynamic response to your playing that only a tube can give. Couple this with a 65 watt output stage to allow you to release your creativity without compromising volume. Laney – Power To The Music.
The Laney LX412A 4×12 speaker cab is loaded with a quartet of Laney custom speakers, together rated at 200W. It offers 8-ohm mono and 4-ohm stereo operation for added versatility. The angled baffle provides improved projection. And the rugged plywood construction, side handles, reinforced corners and rubber feet ensure it’ll withstand the rigors of the road.
The Laney TI412 4x12i speaker cab is voiced to match Tonys signature TI100 head _ a lethal combination, summed from the depths, specifically made to blow minds and melt faces.
The CUB12R houses a 12″ driver, giving it an increased volume and full rich valve tone. Looking at the preamp it’s clear that the CUB12R packs more into the amp than it’s smaller siblings. It features Gain, Treble, Middle, Bass, Volume, Tone and Reverb controls. The output section of the CUB12R is based around a pair of EL84 tubes giving it a more scooped tone than it’s smaller counterparts. Think smooth rich overdrive with bags of gain.
The CUB12R features two input sockets one-labeled 15W the other labeled less than one watt. Plug into the “less than one watt” and you get your great tube tone at a whisper. The less-than-one-watt option allows you to drive the power amp section really hard allowing you to really access the “dark art” tone of power amp distortion.
The CUB12R is a member of the CUB range which offers everyone the opportunity to experience the sound and feel of a good quality tube amp at what is an amazing price.
Laney Amplification began in 1967 when Lyndon Laney, whilst playing in a local band, ‘The Band of Joy’ with John Bonham on drums and Robert Plant on vocals, turned his musical interest into amplifier construction. Initially working in his father’s garage. Lyndon Laney sought to design and build amplifiers with key ‘tonal’ characteristics that were unheard of at the time. Formed in 1967 by Lyndon Laney, Laney Amplification is a West Midlands based guitar and musical instrument amplifier manufacturer who were closely involved with Tony Iommi of Black Sabbath in the birth of the ‘Heavy Metal’ music genre. Since 1967, Laney Amplification has gone on from strength to strength and is now a multinational company that continues to design ‘tone’ solutions to enable musicians of all playing
The Cub10 is driven by a pair of 6V6GT power tubes which deliver 10 watts of classic tube tone. Its 10″ speaker is custom-designed exclusively by HH. The Cub 10 houses a 10″ HH driver. HH have custom-designed the driver exclusively for Laney giving the perfect loudspeaker pairing to the amplifier.
Designed to make tube amps accessible to every player, the Cub10 is a Class A/B design and produces 10 watts RMS of power from a pre amp loaded with 2 ECC83’s and a pair of 6V6GT power tubes.
2 x EL84 power tubes combine with 3 x ECC83/12AX7 pre-amp tubes to deliver 15W RMS power with natural drive and warmth. Opt for either the full 15 watts RMS power or <1W power. <1W is ideal for recording and practice without sacrificing tone; 15W allows for stage-ready volume levels. HH custom-designed 12” drivers with open-back cabinet speakers for dynamic, responsive interaction with tube amplifier; integrated tilt stand under the cabinet enhances projection and tonal variation. Independent Gain and Volume control allows preamp drive to be balanced with the output level, progressing from warm cleans to rich overdrives. 3-band tone stack with Bass, Middle and Treble controls; ‘Tone’ control the overall top-end response, reduce upper-end harmonics on the output and pre-amplifier overdrive.
The IRT-Studio-SE offers the same classic tones as the big Ironheart amps, but in a low-power, compact, and lightweight design. Equipped with ECC83 Preamp valves and EL84 output valves, the IRT-Studio amp delivers 15W of pure tonal power, with the option to switch to less than 1W via the second input for times when loud volumes aren’t permitted. Even with is compact design, the amp head still offers 3 channels and a wide range of control to dial in the perfect tone for any situation. Its 3 band EQ features push/pull EQ shift functions, extended the frequency ranges for further tone shaping, while the dynamics, tone, and reverb controls allow players to give their sound a personal touch.
Along with its incredible tonal capabilities, the Ironheart Studio features a variety of ins/outs to seamlessly integrate into existing rigs. Its D.I. output is perfect for directly connecting the amp head to DAWs, PAs, and mixing consoles, and features a high-quality speaker emulator to deliver all valve tones to your DAW or PA, or even both at the same time. The amp is also equipped with an internal dummy load, removing the need to connect an external speaker and deliver a truly silent recording. The FX loop is idea for connecting your favourite stompboxes, and the Aux in is perfect for playing along to backing tracks and songs.
The Laney Ironheart IRT SLS 300W Amp Head is a versatile and highly portable guitar amp head. It features 3 channels covering clean, rhythm and lead sounds. Two different power modes give a versatile range of power outputs from less-than 1 Watt up to 300 Watts, while the ECC83 preamp tube delivers real valve tones. The amp can be used silently without a cab and features improved cabinet emulations, making it ideal for studio use. This amp only weighs 3.5 KG so is the ideal “Fly Rig”, and will make touring and gigging an easy task.
The IRT412A has many design features to survive a life of gigging and touring. The solid plywood chassis is built to last, and finished in a rugged black tolex with metal corner protectors. Recessed side handles with comfortable bars enable easier transportation, whilst steel castors assist with moving this large cabinet to and from the stage. Everything about the design ensures longevity and reliability, and you can be sure the IRT412A will deliver its powerful tones night after night.
Hearing the guitar played through a 4 x 12 cabinet is a truly awe-inspiring experience; nothing quite matches it in terms of volume, spread of sound, and depth of tone. The IRT412A features 4 custom HH drivers to send your tone to the far side of the room and back again, and ensures you’ll cover your stage with a wall of sound. This cabinet is designed to work with the Ironheart range of amplifiers but will work equally well when paired with your favourite amp, giving you both punch and clarity in a durable, road-ready package.
Designed and engineered to compliment the L50H’s sonic output each L412 is manufactured from high-grade premium marine plywood and loaded with 4 12” Celestion G12 Heritage drivers which together deliver 120 RMS of great vintage tone.
Finished in the same Marine Blue/Beige livery as the L50H and the rest of the Lionheart range the L412 comes with castors as standard and a protective embroidered slipcover.
Quality speaker cabs from 1×12 to 2×12 to 4×12 quad boxes. Loaded with everything from greenback Celestions® to high quality Fane® speakers. Ibanez, Engl, Hiwatt, and Hughes and Kettner produce professional speaker cabs for all musicians.
The Laney LFR-112 is loaded with a 12” driver and a 1” compression driver for a Full Range Flat Response sound that is perfect for accurately amplifying a digital guitar modelling system. A 200-watt power amp gives you plenty of volume for stage use & rehearsals and, should you require more volume, the LFR-112 features a range of connections to get connected on stage. The 47kHz – 20Khz frequency response is perfect for digital modelling systems but the cabinet works equally as a traditional active speaker with line-in instruments such as keyboards.
The traditional guitar cabinet design of the LFR-112 means digital modelling users can get the classic look of a guitar back-line for the real experience of using a guitar amp. The tilt-back stand enables you to position the cab on stage for the optimum listening position. The LFR-112 also features a switchable front baffle illumination for a classy aesthetic.
The LFR-112 features an XLR DI output and a selection of speaker emulations, including 1×12, 4×12, or the standard FRFR response. This allows you to connect directly to a mixing desk or recording device without the need for a microphone – perfect for use on stage and in the studio. The combi jack/XLR input enables easy routing to different input types, while the AUX-in lets you playback music directly.
