The Laney R500-115 is a solid-state combo packing an impressive 500W RMS into a sealed cabinet providing versatility, portability and reliability to all levels of bass player from rehearsal room to a large stage. The front panel houses Normal or High jack inputs a balanced XLR D.I. provides direct, mic-free mixer connection when recording or performing live. An Aux input allows play-along to a backing track and a headphone socket allows for late night playing. The R500-115 lets any bass player own their tone. Compressor Tuner out Speakon Connectors Single Channel 1 x 15” custom driver + HF Horn 10 band Graphic EQ Item dimensions: 563mm x 523mm x 365mm (HWD) Carton dimensions: 650mm x 585mm x 430mm (HWD) Item weight: 23.30kg.
Flexibility is key for the modern day bass player and the Richter range is perfect at adapting to your every genre or style. Suitable for seasoned professionals or new beginners, the Richter bass range offers premium quality bass tones that resonate beautifully. Whatever your requirements you can be sure that the Richter range will consistently deliver fantastic results.
The RB4 is a well-established, highly-acclaimed solid-state bass amplifier with something to suit every bass player. Ideal for the bass player looking for a conventional style but compact bass combo.
The RB4 can be played at home, in the recording studio or live on stage. Full of bass friendly features and a bass tone much bigger than its appearance the RB4 is a serious player choice.
Flexibility is key for the modern day bass player and the Richter range is perfect at adapting to your every genre or style. Suitable for seasoned professionals or new beginners, the Richter bass range offers premium quality bass tones that resonate beautifully. Whatever your requirements you can be sure that the Richter range will consistently deliver fantastic results.
The RB6 offers 165 watts RMS of deep bass tone into a 15” Custom designed driver plus a switchable horn and features a smart Metallic grey control panels, clearly laid out allowing quick understanding and easy access to sounds, housing ‘chrome’ knobs with white pointers to assist the user during darker moments on stage.
A serious bass players combo: The Richter RB8 offers a 300 watt output stage, 15″ custom Celestion speaker, switchable HF horn, bass, treble and 7 band graphic mid, switchable compressor and switchable limiter in a road-ready cabinet with top and side handles. Laney – Power To The Music
If you are looking for deep bass frequencies with loads of tonal depth and richness, then look no further than the Laney RB410 Richter Bass Enclosure 4×10 250W. Designed to compliment the output of the Richter R500H Bass Head, combined they make a potent force!
This compact, high efficiency bass enclosure is designed to be the ideal extension cabinet for the Laney R500H. Designed for the bass player who wants more mid range punch on stage the R410’s compact design makes it ideal for small stages and easy transport. Whatever your gig the R410 will deliver the performance you are looking for.
The RB9 is the top of the range Laney bass head which can deliver a massive 300 watts into a 4 ohm load. We would recommend hooking this up with the Laney RB410 and RB115. The RB9 also features the same award winning preamp section as the RB8, so you can expect more of the great Laney tone in a very portable package. Laney – Power To The Music.
Styled after the iconic Laney SUPER GROUP the New Laney MINI-STB-SUPERG is a BLUETOOTH enabled, battery powered amp, perfect for desktop, backstage or practice. a super compact solution for guitar tone and performance anywhere. The MINI-STB-SUPERG model features a clean & drive channel, gain, tone and volume dial, guitar input, Aux in.
Featuring an ergonomic, straight ahead single channel, with three band EQ plus a great sounding footswitchable BOOST function. Loaded with a specially designed and voiced HH Driver the CUB-SUPER10 delivers 6 watts of toneful SINGLE ENDED CLASS A tube tone from the 2 x 12AX7 pre amp tubes and the 1 x EL84 output tube. Real tubes running hot giving you great dynamic tube tone. Fitted with an FX loop and an external speaker socket the CUB-SUPER10 is as happy on stage as it is in the studio.
The Laney CUB-SUPER12 is a great sounding boutique style all-tube amp.
Featuring an ergonomic, straight ahead single channel, with three band EQ plus a dynamic, footswitchable BOOST function. The CUB-SUPER12 features a footswitchable on-board reverb powered by the highly acclaimed spring reverb algorithm from the Black Country Custom SECRETPATH pedal. Loaded with a custom designed and voiced HH 12″ driver the CUB-SUPER12 delivers 15 watts of pure CLASS AB tube and features the ability to be run at <1 Watt by plugging into the <1 Watt input. The CUB-SUPER12 is loaded with 3 hand selected 12AX7 tubes in the preamp and a pair of EL84 output tubes in the output section. The CUB-SUPER12 is loaded with an insert style FX loop and external speaker socket.
The Laney Cub-Supertop 15W tube guitar amp head offers boutique style, an ergonomic, straight-ahead single channel, with three band EQ plus a dynamic, foot switchable Boost function and more. The Cub-Supertop also features a foot-switchable on-board reverb powered by the highly acclaimed spring reverb algorithm from the Black Country Custom Secret Path pedal.
The Cub-Supertop delivers 15 watts of pure CLASS AB tube in a compact portable head and features the ability to be run at 1W by plugging into the 1 Watt input. The Cub-Supertop is loaded with a pair of hand-selected 12AX7 tubes in the preamp and a pair of EL84 output tubes in the output section.
A Class AB power section is based on the notion that music is a waveform and linear in nature – i.e. you only get a +ve section followed by a -ve section, you never get a +ve & -ve occurring at the same time. In a Class AB amplifier, the input signal is split into the +ve and the -ve sides of the waveform and each respective part is sent to a separate tube or tubes and amplified accordingly
Allows you to drive the output stage of the amplifier harder at reduced output levels should you need to use the unit in situations where full volume is not appropriate.
On-board studio quality reverb. Reverb gives you a sense of the space that you are in. A dry guitar signal can sound a little dull. Adding the right about of reverb provides the guitar signal with ambience and brings it to life.
FX loops are important as they allow you to add effects to the signal path in a specific place between the pre-amp and the output section on an amplifier. This is where FX loops are important as it allows you to put time-based FX after the distorted pre-amp section. For example, delayed distortion sounds different to distorted delay – try it.
The Digbeth DB200-210 combo offers vintage appeal and ultra-modern functionality in a compact format. The DB200-210 delivers a range of FET & Tube tones not previously available, in a super compact, powerful and portable bass amp. Why Digbeth?… it’s where were we born, with a bass in our hands!
Tilt is a dynamic, powerful SEE SAW EQ control. This control has a central neutral position. Turning the control clockwise increases the overall mid to high frequencies and decreases the lows thereby giving your sound more presence, which can be useful for cutting through live band situations. Turning the control anti clockwise reduces the overall mid to high frequencies and increases the lows making your overall sound rounder.
The Laney DIGBETH DB200H celebrates our heritage in bass. Compact, powerful, ultra-modern functionality paired with vintage appeal. The DB200H packs clarity, punch and a wide dynamic range. The DB200H appeals to modern bass players looking for a range of FET and Tube tones not previously available in a super compact, powerful and portable bass amp.
The Laney DIGBETH DB500H celebrates our heritage in bass. Packed with vintage appeal and ultra-modern functionality, the DB500H gives the modern bass player a range of FET and Tube tones not previously available in a compact, powerful and portable bass amp.
Tilt is a dynamic, powerful SEE SAW EQ control. This control has a central neutral position. Turning the control clockwise increases the overall mid to high frequencies and decreases the lows thereby giving your sound more presence, which can be useful for cutting through live band situations. Turning the control anti clockwise reduces the overall mid to high frequencies and increases the lows making your overall sound rounder.
The DBV212-4 is a powerful, dynamic, compact mid-sized cabinet loaded with a pair of vertically aligned 2×12” vintage voiced HH Black Label series ceramic drivers. Designed to accentuate the impressive punch and tone of its ceramic drivers and move some serious air, the DBV212-4 may have a small footprint but its pro performance is anything but small! Equally at home or on stage or studio gig, the DBV212-4 delivers masses of punchy warm vintage tone. The DBV212-4 matches with either the DB500H or DB200H Digbeth heads.
The DBV212-4 is a powerful, dynamic, compact mid-sized cabinet loaded with a pair of vertically aligned 2×12” vintage voiced HH Black Label series ceramic drivers. Designed to accentuate the impressive punch and tone of its ceramic drivers and move some serious air, the DBV212-4 may have a small footprint but its pro performance is anything but small! Equally at home or on stage or studio gig, the DBV212-4 delivers masses of punchy warm vintage tone. The DBV212-4 matches with either the DB500H or DB200H Digbeth heads.
