The ultra-compact XENYX QX602MP3 2-bus mixer’s 6 Inputs (2 mic, 2 stereo) allow you to effortlessly achieve premium-quality sound, thanks to its 2 onboard studio-grade XENYX Mic Preamps with available Phantom Power, and our ultra-musical “British” channel EQs. Add to this a high-performance MP3 player for accessing audio files from a USB stick, and a built-in 24-bit, stereo multi-FX processor with presets for studio-class reverb and delay, and the QX602MP3 becomes an incredibly versatile – and amazingly affordable mixer!
The Behringer RACKTUNER BTR2000 is a multi-function tuner with a built-in microphone, offering 11 different tuner modes, including chromatic, banjo or open tunings. The user can choose between manual, or automatic A-tone standard pitch calibration, from 428 Hz to 452 Hz in 1Hz increments, with +/-7 semitones of transposition for e flexible tuning.
There are two separate input channels on the RACKTUNER BTR2000, accessible via front and back connectors, which are footswitch-controllable. In addition to the tuner functionality, the unit also offers an adjustable metronome, with an audible and visual beat indicator, and the ubiquitous tap tempo function.
The RHYTHM DESIGNER RD-6-SR provides all the tools you need to become a master beat-maker, including: 8 drum sound and a 16-step sequencer – for a quick and easy-to-use drum machine that’ll shake the house! Whether you’re new to drum programming or a seasoned pro looking to enhance your setup, the RD-6-SR has everything you need to step up to the big leagues.
The RHYTHM DESIGNER RD-8 provides all the tools you need to become a master beat-maker, including: 16 drum sounds; a 64-step sequencer; Wave Designer and dual-mode filter – for a full-fledged drum machine that’ll shake the house! Whether you’re new to drum programming or a seasoned pro looking to upgrade your setup, the RD-8 has everything you need to step up to the big time.
This analog rack mixer is equipped with 12 input channels, each with a 2-band EQ, gain, monitor level, FX level and panning control. 8 of the 12 channels are equipped with the XENYX microphone preamps that provide the XENYX series with the best quality. The remaining 4 channels have a balanced high-headroom line input for easy stereo mixing. Do you use condenser microphones? Then use the +48 V phantom power switch. This makes the Behringer RX1202FX V2 a versatile mixer for both fixed installations and sub-mixing your band’s keyboards or drums.
The rack-mountable RX1602 mixer enables you to effortlessly achieve premium-quality sound, thanks to 16 balanced ultra-low noise, high-headroom line inputs, which can be used for 8 stereo inputs, 16 mono inputs – or any combination thereof. This high level of versatility makes the RX1602 a multipurpose line mixer that is ideal for both your live performances and studio recording projects. The incredible RX1602 is perfect for sub-mixing multiple keyboards, sound modules and samplers – and is an absolute “must-have” for monitoring your multitrack recording projects! So easy to use and loaded with intuitive features, the EURORACK PRO RX1602 should be in every recording enthusiast’s or live performer’s toolkit.
The 1 RU Behringer Eurorack Pro RX1602 V2 16-Channel Rackmountable Line Mixer provides you with an easy-to-use, versatile, and compact solution for sub-mixing multiple keyboards and sound modules on stage or for monitoring your multitrack recording projects in the studio.
Digital mixing has revolutionized virtually everything in the live-entertainment production workflow. Now we have come up with the perfect solution for connecting the onstage talent with your Front of House (FOH) console, and the rest of the world – the ultra-cool and ultra-affordable S16 Digital Snake! The S16 provides 16 MIDAS-designed remote-controllable mic preamps, plus 8 balanced analog XLR returns at the stage end – and all it takes is a single Cat 5e cable. While KLARK TEKNIK, the industry-leader in high-end digital audio processing, invented the SuperMAC technology that made it all possible – our superb scale of production makes the S16 so very aff ordable.
The Eurocom SN2108 80-Watt Mixer and Amplifier with 70-Volt Output from Behringer is a multi-function mixer and transformerless Class-D amplifier designed to be used for continuous operation in distributed music, paging, and AV applications. It can be used in retail, hospitality, office, medical, educational and industrial settings. It features three 1/4″ TRS inputs that accept both balanced and unbalanced signals. It additionally has dual stereo summed RCA auxiliary inputs that can provide playback from external sources such as CD or MP3 players, radios, or television tuners. The unit has a 70-volt, two-position terminal strip speaker output.
The Eurocom SN2408 80-Watt Mixer and Dual Amplifier from Behringer is designed for continuous operation in distributed music, paging, and AV applications in bars, recreation facilities, conference rooms, hotels, and other venues. It is powered by two independent Class-D mono amplifiers with DC and thermal overload protection. The first amplifier has a high impedance output and can be set to either 70 or 100 volts. The second amplifier has a standard low-impedance output.
The 32-Input, 4-Bus EURODESK SX3242FX allows you to effortlessly achieve premium-quality sound, thanks to 24 of our studio-grade XENYX Mic Preamps, 2 full stereo channels with 4-band EQ, plus 2 additional sets of stereo inputs channels with Level and Aux controls.
Since the early days of recording, sound engineers have been searching for the best-sounding mics for recording acoustic instruments and the human voice. The resounding choice of professional recordists around the globe has been the tube condenser microphone. Why? Because nothing compares to the sound captured by a good tube condenser microphone – so open, warm and full of character. But buying a tube mic can wipe out a home-recording budget faster than you can say “phantom power supply.” That’s why we’re so very proud to present our T-1 microphone. This incredible mic exemplifies our commitment to quality and value – now anyone who can afford a decent live microphone can get a studio-grade, tube-powered condenser mic for about the same price.
The sound of tubes is undeniably rich and smooth. At the heart of each T-47 microphone is a hand selected 12AX7 tube, which has been specifically designed to give this mic its incredible sonic character. One major advantage a tube condenser mic has over its solid-state counterpart – the T-47 is not subject to the rapid rise of odd-order harmonics, which the ear perceives as highly unmusical. Even when subjected to extremely-high sound pressure levels, the T-47 mic reacts in much the same way as the human ear.
Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-BK lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-BK is sure to become one of your favorite synthesizers.
<p>The Behringer U-PHORIA STUDIO PRO is a recording bundle offering dependable performance and easy operation for podcasters, music producers, singers, and rappers. Ideal for home studios and portable recording rigs, the U-PHORIA STUDIO PRO features the U-PHORIA UMC202HD compact 2-channel USB audio interface with a USB cable, a C-1 large-diaphragm cardioid condenser microphone with a mic mount and an XLR cable, and a pair of HPS5000 closed-back headphones. From the Midas-designed mic preamps to the 24-bit / 192 kHz high-resolution converters, the U-PHORIA STUDIO PRO is designed to deliver studio-grade quality for your home recordings.</p>
