The PreSonus StudioLive 24R is a versatile rackmount mixer and stagebox for StudioLive Series III consoles, featuring 24 XMAX preamps, flexible I/O options, and comprehensive routing for live settings. It also serves well in studios with built-in 40-in/40-out USB and 55-in/55-out AVB audio interfaces.
The PreSonus StudioLive 32R offers high performance as both a rackmount mixer and stagebox, equipped with 32 XMAX preamps, versatile I/O options, and comprehensive routing, suitable for various live applications. In the studio, it provides built-in 40-in/40-out USB and 55-in/55-out AVB audio interfaces, along with stereo SD recording for easy live recording capabilities.
The PreSonus StudioLive 32SC is a versatile 32-channel digital console, recorder, and audio interface designed for live sound, recording, and studio applications. It features a full-color touchscreen, 17 touch-sensitive motorized faders, and 16 recallable XMAX preamps in a compact, rack-mountable frame. The mixer is powered by a dual-core FLEX DSP engine with vintage-style EQs and compressors, plus a four-slot FLEX FX processor. Additional features include remote control capabilities, 32-channel SD card recording, USB streaming, and AVB networking for system expansion.
The PreSonus StudioLive 32SX is a compact, 32-channel digital console ideal for live sound, recording, and studio use. It integrates hardware and software with a full-color touchscreen, 25 motorized faders, and 32 recallable XMAX preamps. Powered by a dual-core FLEX DSP engine, it offers vintage-style EQs, compressors, and a four-slot FLEX FX processor. It includes 16 XLR mic inputs, 16 mic/line combo jacks, aux and monitor outputs, USB streaming, SD recording, and AVB networking for flexible system expansion.
The StudioLive 32SX packs a lot of power for a compact console — it’s PreSonus’s most formidable offering yet. This 32-channel digital mixer boasts a dual-core FLEX DSP engine with enough muscle to drive 286 simultaneous processors, and then some. What’s more, its FLEX FX multi-effects processor vaunts four slots of reverb emulations and delays with four dedicated effects buses. Benefit from easy expandability thanks to built-in AVB networking.
The PreSonus StudioLive 64S is a versatile 76-channel digital console, recorder, and audio interface designed for live sound and studio recording, featuring 32 recallable XMAX preamps, 33 motorized faders, and a touchscreen interface. It includes a quad-core FLEX DSP engine for FAT Channel processing and an eight-slot FLEX FX processor. The mixer offers extensive input/output options, wireless streaming, and robust recording capabilities to SD card and USB, as well as integrated AVB networking for system expansion and remote control via software.
The PreSonus StudioLive AR12c is a 14-channel hybrid performance and recording mixer, building on its predecessor with updates such as a USB Type-C connection, Bluetooth 5.0, and a refreshed design and layout. Ideal for live shows, studio productions, and podcasts, it features XMAX Class-A preamps, 3-band EQs, and a range of analog and digital tools.
The PreSonus StudioLive AR16c is an 18-channel hybrid mixer designed for dynamic recording and live performance applications. Enhanced from its predecessor, it now includes USB-C connectivity, Bluetooth 5.0, and an updated layout. This mixer features Class-A preamps and a 3-band EQ, blending robust analog connections with versatile digital tools, suitable for live shows, studio sessions, rehearsals, and podcasts.
The PreSonus StudioLive AR8c is an 8-channel hybrid mixer designed for diverse applications like live shows, studio work, rehearsals, and podcasts. It features USB Type-C connectivity, Bluetooth 5.0, and an updated mixer panel. Equipped with XMAX Class-A preamps and a 3-band EQ, it combines analog and digital functionality for powerful yet user-friendly operation.
The PreSonus SW5E is a 5-port AVB switch equipped with Power over Ethernet (PoE) functionality. It features robust housing suitable for live applications due to its reliability. The device includes XLR Ethernet jacks to ensure secure connections by preventing accidental disconnection, and the PoE technology supports both data and power transmission to AVB-compatible devices without needing an external power source.
The Temblor T10 Active 10″ Studio Subwoofer is engineered for precise low-frequency sound reinforcement in recording studios, featuring a 10-inch composite driver with a 20-200 Hz frequency range and a maximum SPL of 110 dB. Encased in a reinforced MDF cabinet with a vinyl finish and ported bass reflex design, it is powered by a 250W Class AB amplifier. The subwoofer includes internal dampening, built-in feet for vibration reduction, a variable crossover frequency (50-130 Hz), adjustable input gain (-30 dB to +6 dB), a 0°/180° phase switch, and a ground lift switch.
The PreSonus Temblor T8 Active 8″ Studio Subwoofer is designed for critical listening in studio or home settings, enhancing full-range monitoring systems in music production, gaming, home theater, and various other applications.
The PVXp 12 Bluetooth features a reliable bi-amped power section that provides a total of 980 Watts of peak dynamic power with DSP based compression and limiting. This enclosure features a 12″ heavy-duty woofer with a 2 3/8 inch voice coil and 50 ounce magnet, and the RX14 compression driver with a 1.4 inch titanium diaphragm on a 100 degree horizontal x 50 degree vertical pattern asymmetrical horn. The PVXp 12 Bluetooth provides two channels with a balanced input via a combination jack that accepts balanced TRS 1/4 inch input as well as a balanced XLR input. A switch is provided to change between line level gain and mic level gain. A third channel is for a Bluetooth source, or alternatively a 1/8″ AUX input jack. Each channel has an adjustable Level control and a three-band EQ section. There is a balanced output, a Male XLR, that can feed the mixed signals from the three channels out to another component. A front baffle LED indicator can be set to light when power is on, and when the “soft-limiting” DDT circuit is activated, or it can be turned off altogether. The LCD display and EQ presets, along with other DSP operating parameters are accessed via a one-knob selector.
The PVXp 15 Bluetooth features a reliable bi-amped power section that provides a total of 980 Watts of peak dynamic power with DSP-based compression and limiting. This enclosure features a 15″ heavy-duty woofer with a 2 3/8 inch voice coil and 50 ounce magnet, and the RX14 compression driver with a 1.4 inch titanium diaphragm on a 100 degree horizontal x 50 degree vertical pattern asymmetrical horn. The PVXp 15 Bluetooth provides two channels with a balanced input via a combination jack that accepts balanced TRS 1/4 inch input as well as a balanced XLR input. A switch is provided to change between line level gain and mic level gain. A third channel is for a Bluetooth source, or alternatively a 1/8″ AUX input jack. Each channel has an adjustable Level control and a three-band EQ section. There is a balanced output, a Male XLR, that can feed the mixed signals from the three channels out to another component. A front baffle LED indicator can be set to light when power is on, and when the “soft-limiting” DDT circuit is activated, or it can be turned off altogether. The LCD display and EQ presets, along with other DSP operating parameters, are accessed via a one-knob selector.
The PVXp 10 Bluetooth features a reliable bi-amped power section that provides a total of 520 Watts of peak dynamic power with DSP based compression and limiting. This enclosure features a 10″ heavy-duty woofer with a 2 3/8 inch voice coil and 50 ounce magnet, and the RX10 compression driver with a 1 inch titanium diaphragm on a 100 degree horizontal x 60 degree vertical pattern asymmetrical horn. The PVXp 10 Bluetooth provides two channels with a balanced input via a combination jack that accepts balanced TRS 1/4 inch input as well as a balanced XLR input. A switch is provided to change between line level gain and mic level gain. A third channel is for a Bluetooth source, or alternatively a 1/8″ AUX input jack. Each channel has an adjustable Level control and a three-band EQ section. There is a balanced output, a Male XLR, that can feed the mixed signals from the three channels out to another component. A front baffle LED indicator that can be set to light when power is on, and when the “soft-limiting” DDT circuit is activated, or it can be turned off altogether. The LCD display and EQ presets, along with other DSP operating parameters are accessed via a one-knob selector.
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