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Genelec Grille for 1032A Monitors - Black
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Midas HD96-24-CC-TP Digital Console Control Centre with 144 Channels, 120 Mix Buses, 96 kHz Sample Rate, and 21″ Touch Screen
The Midas HD96-24-CC-TP is a high-end, 144-input digital mixing console from the Heritage D series, featuring eight Midas preamps, 120 time-aligned mix buses, and 24 VCA groups. It offers 28 motorized faders, touch-sensitive controls, and a 21-inch multi-gesture touchscreen. Built with advanced HyperMAC and AES50 networking, dual Ultranet ports, wireless transceiver module, and dual redundant power supplies, this mixer comes in a durable road case made from marine-grade plywood and aluminum.
- Estimated Delivery: 2–3 business days across the UAE
- Free Shipping & Returns : On all orders over AED 1000
Description
Part of the Heritage D series, the Midas HD96-24-CC-TP is a world-class, 144-input digital mixing console. This mixer is jam-packed with features, including eight award-winning Midas preamps, 120 time-aligned, phase-coherent mix buses, 24 VCA groups, and top-tier digital effects. The HD96-24-CC-TP makes taking command of your mix a piece of cake, with 28 motorized 100mm faders, interpolated touch-sensitive controls, and a 21-inch display with an advanced multi-gesture touchscreen interface. This mixer teems with state-of-the-art digital tech, boasting HyperMAC and AES50 networking, dual Ultranet ports, and a dual network bridge format converter. An integrated wireless transceiver module and dual redundant power supplies round out the HD96-24-CC-TP’s impressive feature set. The Heritage D HD96-24-CC-TP also comes with a tour-grade road case that boasts marine-grade plywood and aluminum construction.
Features
- Live performance digital control centre with up to 144 simultaneous input channels @ 96 kHz sample rate
- 120 time-aligned and phase-coherent mix buses
- 21″ full color TFT display screen with capacitive touch sensing
- Advanced and multi-gesture touchscreen user interface
- Award-winning Midas microphone preamplifiers
- Over 600 inputs and outputs into the surface
- Dual network bridge format converter with up to 128 bidirectional channels and asynchronous sample rate conversion
- Touring grade road case featuring marine-grade plywood, aluminum extrusions and composite density protective foam
- 24 VCA (variable control association) and 24 POPulation groups
- Up to 24 multi-channel digital signal processing effects engines with up to 96 effects
- Integrated Wireless transceiver module
- Dual ULTRANET Ports providing 32 additional digital outputs
- 28 Midas PRO motorized 100 mm faders
- Fully interpolated touch sensitive controls
- Dual redundant auto-ranging universal switch-mode power supplies
Specifications
Processing
| Input processing channels | 144 flexi channels |
| Output processing channels | 96 flexi aux outputs, 24 matrices, stereo bus, mono bus |
| Point-to-point routing matrix | 622 x 652 |
| Signal processing | 64-bit floating point |
| D/A converter | 24-bit, 96 kHz and 128 times oversampling |
| A/D converter | 24-bit, 96 kHz and 128 times oversampling |
| Sampling frequency | 96 kHz |
| I/O latency (surface input to output) | 1.34 ms |
| Input audio processing |
Dual-slope high and low-pass filters True phase filter control 4-band parametric EQ with 3 shelf modes 4-mode creative input compressors Input gates or ducker Insert point on/off with processing order change Direct output with adjustable level and processing pick of point Delay-compensated aux return mode on inputs 5 x tap-off points per send |
| Output audio processing |
Output 4-band parametric EQ with shelving/HP/LP options 4-mode creative output dynamics Insert point on/off with processing order change Direct input with adjustable level and processing tap-off point |
| Mixing control assistance |
12 x talk groups 12 x mute groups 24 x surface POPulation groups 24 x VCA associated population groups Scene snapshot automation |
Connectors
| Midas microphone preamplifier | 8 x XLR balanced |
| Balanced outputs | 8 x XLR balanced |
| Talkback connector | 1 x XLR balanced |
| Talk connector | 1 x XLR balanced |
| Headphone connector | 2 x 1⁄4″ TRS (stereo) |
| Digital AES3 input / output (XLR) | 2 / 2 |
| AES50 ports (Klark Teknik SuperMAC, 100 Mbit/s) | 4 |
| Snake (copper) | 2 x HyperMac (192 channels of bi-directional digital audio) on Ethercon XLR |
| Snake (fiber) | 2 x HyperMac (192 channels of bi-directional digital audio) on Opticon XLR |
| CM1 expansion slots | 2 x slots (CM1 module for AES50, DANTE, MADI and USB) |
| Ultranet | 2 x Ultranet ports (up to 16 digital outputs per port) |
| Word clock IN | BNC, accepts TTL level, 96 kHz square wave, impedance 75 Ohms |
| Word clock OUT | BNC, provides a TTL level, 96 kHz square wave |
| AES3 sync IN | 1 x 3-pin XLR |
| AES3 sync OUT | 1 x 3-pin XLR |
| External (Ethernet) connector | Ethercon XLR |
| Monitor output | 2 x HDMI (1920 x 1080p 59.94Hz/60Hz 16:9 & 720 x 480p 59.94Hz/60Hz 16:9 supported) |
| USB 3.0 type A hub | 4 x 5 V – 900 mA |
| USB 3.0 type A (fader port expansion) | 4 x 5 V – 900 mA |
| USB 2.0 type A (front surface data) | 1 x 5 V – 500 mA |
| Diagnostics Port | Serial port |
| MIDI | In, Out and Thru 5-pin MIDI DIN sockets |
| Lamp | 2 x 12 V DC 5 W 4-pin |
| IEC mains socket with power switch | 2 |
Input / Output Characteristics
| Surface input impedance | 10 kΩ |
| Non-clip maximum input level | +24 dBu |
| Input gain | -22.5 dB to +65 dB |
| Phantom power (switchable per input) | +48 V |
| Talk mic impedance | 5 kΩ |
| Talk mic gain | +15 dB to +60 dB |
| Talk mic max level | +6 dB |
| Talkback impedance | 20 kΩ |
| Talkback gain | ∞ to + 10 dB |
| Talkback max level | +21 dBu |
| Surface output impedance | 50 Ω |
| Surface output gain | 0 dB |
| Surface output max level | +21 dBu |
| Dynamic range | 106 dB, 22 Hz to 22 kHz, unweighted |
| Maximum voltage gain | 100 dB inputs to subgroups and masters, 106 dB inputs to aux and matrix |
| Crosstalk at 1 kHz | -100 dB physically adjacent input channels |
| Crosstalk at 10 kHz | -90 dB physically adjacent input channels |
| Fader / pan cut off at 1 kHz | -100 dB |
| Fader / pan cut off at 10 kHz | -100 dB |
| Headphones output impedance | 10 Ω |
| Headphones maximum output level | +21 dBu |
Displays
| Display screen | 21″ LCD high brightness 1920 x 1080 px, capacitive touchscreen, up to 10 simultaneous touches |
| LCD info displays | 41 x full color LCD info displays, 24 mm x 24 mm (size), 240 x 240 px |
| Input meters (quantity 30) | 12 segment -35 dBu to +20 dBu |
| Output meters (quantity 7) | 20 segment -36 dBu to +21 dBu |
| Channel comp meters (quantity 28) | 5 segment -24 dBu to -1 dBu |
| Channel gate meters (quantity 28) | 5 segment -34 dBu to -5 dBu |
| Comp meter (quantity 1) | 12 segment -23 dBu to -1 dBu |
| Gate meter (quantity 1) | 12 segment -34 dBu to -1 dBu |
Controls
| 100 mm motorized faders | 8 + 8 + 8 + 4 | |
| Touch-sensitive rotary controls | 66 | |
| Custom controls | Fully assignable rotary controls | 28 + 8 |
| Fully assignable backlit buttons | 28 + 8 + 12 | |
| Headphone controls | A and B, min to max | |
| Talk | Talk gain min to max |
Additional information
| Brand |
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