The PV MSP1 is a complete microphone and accessory package designed for working musicians on the move. The package includes essential accessories for stage and rehearsal setups, all in a protective gig bag.
The PV MSP1 features Peavey’s performance-ready PVi 100 dynamic cardioid microphone, which can be switched off when not in use, as well as a fully adjustable, tripod-style boom stand that works equally well with vocals, acoustic guitars, amplifiers, drums or any other instruments.
A super-cardioid, dynamic microphone geared for vocal reproduction, the PVi 3 features a specially designed rubber ring around a hardened mesh grille to guard against damage from impact. An extended high-frequency response covers a wide spread of the frequency spectrum.
The Peavey PVi 100 Dynamic Handheld Microphone is an affordable handheld microphone, well suited for capturing speech and singing during performances, presentations, sermons and more. The microphone features a cardioid polar pattern to minimize feedback, an On/Off switch and 19′ (6m) XLR terminated microphone cable.
NT1 model is by far the most impressive one yet! Sporting a mere 4.5dB of self-noise, the NT1 isn’t just the quietest studio condenser microphone Rode has produced to date, it’s one of the quietest mics of its type in the world. Patented Lyre capsule suspension technology from Rycote further enhances the sound of the NT1, isolating it from even the natural harmonic resonance of its aluminium body. And with the bundled SRM combination shock mount and pop filter, this NT1 Kit is a truly amazing deal.
If you’re doing serious field recording, the Roland CS-15S cardioid stereo microphone is a great asset for your R-05 and R-09HR. The 1/8″ connector plugs right into the recorder itself, giving you a high-quality and pain-free way to bolster the recording quality. For portability and convenience, the R-05/R-09HR can power to the mic, or if you prefer, a battery can be used. The CS-15S comes bundled with a desktop stand, a hand-held mount, and a windscreen. Maximize your location recordings with the CS-15S!
The BOSS WL-30XLR is a two-piece wireless microphone system that sounds great and is very easy to use. Comprising a plug-on transmitter and a plug-in receiver, this system is all you need to get a wireless connection between your handheld dynamic mic, and your mixer.
The system is easy to setup. Plug the mic into the transmitter, and plug the receiver into the mic input of your mixer, PA, or interface. The system has 230′ of range and can last for at least 11 hours by means of a single AA battery on each the transmitter and receiver.
The KSM313 ribbon microphone from Shure is a professional-quality ribbon microphone ideal for capturing instruments or vocals. The mic has a figure-8 polar pattern and true Dual-Voice ribbon motor assembly, allowing you to choose the mic’s response. Choose between a warm and full sound for amplifiers, or bright for vocals.
Roswellite proprietary ribbon material with high tensile strength and shape memory replaces the traditional foil ribbon construction in order to achieve extremely high SPL capabilities. The mic is hand assembled in the USA out of machined steel, gold, silver, and aluminum components. The mic has a standard 3-pin XLR male connector for connection to an audio system.
The nickel KSM8/N Dualdyne Dynamic Handheld Vocal Microphone from Shure is a dual-diaphragm dynamic microphone crafted for vocal reproduction and sound-reinforcement in live performances and top-tier professional venues.
Featuring one of the most innovative cardioid polar pattern microphones that Shure has developed to date, the Dualdyne cartridge of the KSM8 virtually eliminates proximity effect and masters off-axis rejection while providing the signal clarity typical of condenser microphones without processing. This also provides reliability of a dynamic microphone feedback control.
Easily capture interesting and engaging sound for at-home music production, live streaming, content creation, and video conferencing, straight to your laptop or USB-C mobile device with the Shure MOTIV MV88 + Home kit, a digital stereo USB mic and accessories bundle that offers a host of powerful features not commonly found on similar microphones. The kit is centered around the dual-capsule MV88+ microphone, specifically engineered to deliver Shure’s broadcast-quality sound along with customizable settings such as EQ, compression, mono and stereo polar pattern selection, and more. Since it includes a mic clip and two USB cables, it can be mounted on virtually any mic stand and connects to devices that have USB Type-A or USB Type-C ports available.
The Shure SM81-LC is a cardioid condenser microphone used in live sound, broadcast, and recording scenarios. It features a flat-frequency response between 20 Hz and 20 kHz and provides a switchable low-pass filter that can be set to either 6 dB/octave or 18 dB/octave. Other features, such as a lockable -10 dB pad and SPL handling of 146 dB (with the pad on), make the microphone well suited for a variety of situations.
This mic sports a cardioid polar pattern that helps it achieve a high level of gain before inducing feedback, ensuring the mic will work well on the stage. This polar pattern also sports excellent off-axis rejection, helping to retain isolation in live and studio recordings.
The SM81-LC offers the kind of durability one would expect from Shure as well as low susceptibility to RF issues in the field. Its steel construction ensures the mic can be used in a variety of conditions, though phantom power is required to operate the SM81-LC.
Sontronics HALO is a striking-looking dynamic microphone designed for use on guitar amps and cabinets. The HALO has a dynamic capsule suspended on four spring mounts within a circular frame that protects the microphone from vibrations and rumble on stage or in the studio.
HALO is based on the Sontronics STC-80, a handheld dynamic microphone that gives stunning results on vocals, but which has also been increasingly used to great effect on guitar amps for live and studio work. For HALO, Sontronics took the STC-80 capsule, enhancing it slightly to capture the exact frequencies of your guitar amp and to take into account the different length and depth of the capsule housing.
The result is the Sontronics HALO, which gives you all the bite, crunch and presence you could wish for without need to lay a finger on the EQ. Any guitarist shouldn’t be without one!
HALO is yet another of Sontronics founder and mic designer Trevor Coley’s stunning vintage-inspired creations, reminiscent of the SATURN multi-pattern condenser mic.
“As a guitarist myself,” Coley explains, “I’ve always wanted to give other guitar players something that looks a lot more inspiring than a regular handheld dynamic to put in front of their amps and HALO is exactly that. It looks and sounds like no other guitar mic out there!”
STC-10 is a pencil-style cardioid condenser microphone. It has been designed using the same technology as Sontronics’ existing pencil condenser mics, but has purposely been introduced to create an even more affordable option in the ever-growing Sontronics range.
No Compromise in Quality
The STC-10 actually has the same basic internal architecture to the Sontronics STC-1, it’s just stripped down its feature set to give producers and musicians a super affordable option.
Pencil condenser microphones are ideal for spot-miking applications or used as a stereo pair for overheads. The STC-10 is great for drums, percussion and acoustic instruments. It has also proved useful in film production work when used on a boom.
All the Basics Covered
Although the STC-10 was designed with affordability in mind, it still features a built-in attentuation switch (choose 0dB or -10dB) and a low-cut filter (75Hz) to make it extremely flexible in all situations.
The STC-10 is supplied with a simple mic clip and a foam windshield to prevent sibilance.
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