The Neumann TLM 103 is a nickel large-diaphragm condenser microphone featuring a cardioid pattern, low self-noise, and high sound pressure level handling. Derived from the U 87, it offers excellent rear attenuation, natural off-axis sound rendering, high feedback suppression, and detailed sound reproduction without coloration, making it ideal for both studio and live settings.
The black Neumann TLM 107 is a versatile large diaphragm condenser microphone featuring five selectable polar patterns, a transformerless design for high linearity, and a broad dynamic range. It includes -6dB and -12dB pads for loud sound sources, and high-pass filters at 40 Hz and 100 Hz, making it ideal for professional studio, broadcast, and demanding home recording applications.
The Neumann TLM 107 Studio Set includes a TLM 107 large diaphragm condenser microphone and an EA4 suspension shockmount. This microphone features a transformerless design, low self-noise, high SPL handling, and performs well on various sound sources, from loud drums to soft vocals. It offers five polar pattern settings, a quasi-linear frequency response up to 8kHz with a subtle boost for natural presence, and an optimized grille to reduce sibilance and plosives. The edge-terminated capsule at ground voltage minimizes sensitivity to dust and humidity, ensuring reliability in different environments.
The Neumann TLM 49 is a large-diaphragm condenser microphone designed for vocal recording, featuring a cardioid pickup pattern and warm sound optimized for vocals. Inspired by the M 49 and M 50 models, it combines a retro aesthetic with modern transformerless technology for low self-noise and high gain levels. The acclaimed K 47 capsule, known for its presence boost above 2 kHz, ensures clarity and detail. It includes an elastic suspension and features Neumann’s fine matte nickel finish.
The Neumann M 147 Tube Microphone is a large diaphragm condenser microphone featuring a cardioid polar pattern and a vacuum tube design. It incorporates a K 47/49 capsule, similar to the U 47 and M 49 models, paired with a transformerless output circuit for low noise and high gain. Able to feed long cables without signal loss, the M 147 Tube is ideal for recording vocals and various instruments, offering a flat frequency response with a slight boost above 2 kHz.
The M 149 Switchable Tube Microphone from Neumann features a dual-diaphragm design with the renowned K 49 capsule, a tube impedance converter, and a transformerless output circuit, allowing long cable use without coloration. It includes a front switch for selecting among nine directional patterns and a rear switch for adjusting a seven-step high pass filter.
The Neumann V 402 is a meticulously crafted 2-channel rackmount preamplifier with transformerless circuitry for transparent sound, offering up to 60 dB of gain, -20 dB pads, 60 Hz high-pass filters, and a studio-grade headphone amp for precise monitoring. Ideal for both microphones and Hi-Z instruments, it ensures pristine signal integrity.
The BlueTube DP v2 from PreSonus is a dual-channel preamplifier featuring Dual Path technology, incorporating both solid-state and tube preamplifier stages in each channel. This design allows users to toggle between ultra-quiet solid-state amplification and warm, tube-driven tones with adjustable levels of distortion.
The Faderport 8 from PreSonus is a versatile mix production controller with eight 100mm touch-sensitive motorized faders and digital scribble-strip displays. It features the Session Navigator for easy DAW control, compatible with both Mac OS X and Windows. Supporting HUI and Mackie Control emulations along with native Studio One control, it includes a USB cable and external power supply.
The PreSonus FaderPort is a USB control surface featuring a touch-sensitive motorized 100 mm fader, transport controls, and advanced user workflows from the FaderPort 8 and 16. It allows for efficient recording and mixing, marker management, punch in/out with an optional footswitch, and track arming. With session Navigator, the FaderPort provides intuitive control of DAW applications, including native support for PreSonus Studio One DAW (Studio One Artist included), and offers USB 2.0 connectivity with control Link support and parameter follow for streamlined hardware access.
The PreSonus HD9 professional monitoring headphones feature 45mm dynamic neodymium drivers, offering high-power handling up to 900mW per channel into 40 Ohms and a frequency response range from 10 Hz to 26 kHz, ensuring precise bass and accurate audio for clean and fatigue-free listening.
The Presonus HP2 is a compact, battery-powered personal headphone amplifier designed for wired in-ear monitors and headphones, featuring volume and pan controls, ideal for musicians and performers in live stage, theater, rehearsal settings, and more.
The PreSonus ATOM is a compact MIDI controller designed for artists, DJs, and producers, featuring USB 2.0 connectivity, compatibility with major DAWs, and seamless integration with PreSonus Studio One and Ableton Live for tasks including virtual instrument browsing, loop creation, and MIDI editing.
The PreSonus Monitor Station V2 is a desktop control center designed for studio use, enabling switching between three sets of monitors and three input sources. It includes a headphone amplifier with four 1/4″ outputs, each featuring dedicated level control, making it ideal for recording, monitoring, and mixing tasks.
The TubePre V2 from PreSonus is a professional tube preamp with a dual-servo gain stage, enabling high-level signal boosting with minimal noise. Its discrete components and high-voltage operation ensure a wide dynamic range and detailed sound. Additionally, it functions as a direct box for guitars and basses, and its compact size makes it highly portable.
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