The Neumann NDH 20 Headphones are engineered for tracking, mixing, and critical listening with a closed-back, circumaural design. Featuring 38mm drivers with high-gauss neodymium magnets, these headphones deliver accurate sound without distortion or color, offering a frequency response of 5 Hz to 30 kHz. They are crafted to minimize midrange resonances for precise mixing, providing a sonic experience akin to Neumann’s studio loudspeakers.
The Neumann TLM 103 sets new standards in microphone performance with an exceptionally low self-noise of 7 dB-A, high sensitivity of 23 mV/Pa, and the ability to handle sound pressure levels up to 138 dB. Its transformerless output stage delivers an uncolored, true-to-original sound with a clear and powerful bass response, making it ideal for capturing anything from soft whispers to loud bass drums without noise or distortion.
The Neumann TLM-102 Large-Diaphragm Cardioid Studio Condenser Microphone, styled in a nickel finish, excels in recording both high and low sound pressure levels. With its capacity for handling percussion, drums, and amplifiers, it maintains minimal coloration for a clear bass range and enhanced vocal presence. Features include a high SPL rating, fast transient response, elastic capsule suspension to reduce noise, and an integrated pop screen for plosive suppression.
The Neumann TLM 103 is a nickel large-diaphragm condenser microphone featuring a cardioid pattern, low self-noise, and high sound pressure level handling. Derived from the U 87, it offers excellent rear attenuation, natural off-axis sound rendering, high feedback suppression, and detailed sound reproduction without coloration, making it ideal for both studio and live settings.
The black Neumann TLM 107 is a versatile large diaphragm condenser microphone featuring five selectable polar patterns, a transformerless design for high linearity, and a broad dynamic range. It includes -6dB and -12dB pads for loud sound sources, and high-pass filters at 40 Hz and 100 Hz, making it ideal for professional studio, broadcast, and demanding home recording applications.
The Neumann TLM 107 Studio Set includes a TLM 107 large diaphragm condenser microphone and an EA4 suspension shockmount. This microphone features a transformerless design, low self-noise, high SPL handling, and performs well on various sound sources, from loud drums to soft vocals. It offers five polar pattern settings, a quasi-linear frequency response up to 8kHz with a subtle boost for natural presence, and an optimized grille to reduce sibilance and plosives. The edge-terminated capsule at ground voltage minimizes sensitivity to dust and humidity, ensuring reliability in different environments.
The Neumann TLM 49 is a large-diaphragm condenser microphone designed for vocal recording, featuring a cardioid pickup pattern and warm sound optimized for vocals. Inspired by the M 49 and M 50 models, it combines a retro aesthetic with modern transformerless technology for low self-noise and high gain levels. The acclaimed K 47 capsule, known for its presence boost above 2 kHz, ensures clarity and detail. It includes an elastic suspension and features Neumann’s fine matte nickel finish.
The Neumann M 147 Tube Microphone is a large diaphragm condenser microphone featuring a cardioid polar pattern and a vacuum tube design. It incorporates a K 47/49 capsule, similar to the U 47 and M 49 models, paired with a transformerless output circuit for low noise and high gain. Able to feed long cables without signal loss, the M 147 Tube is ideal for recording vocals and various instruments, offering a flat frequency response with a slight boost above 2 kHz.
The M 149 Switchable Tube Microphone from Neumann features a dual-diaphragm design with the renowned K 49 capsule, a tube impedance converter, and a transformerless output circuit, allowing long cable use without coloration. It includes a front switch for selecting among nine directional patterns and a rear switch for adjusting a seven-step high pass filter.
The Neumann V 402 is a meticulously crafted 2-channel rackmount preamplifier with transformerless circuitry for transparent sound, offering up to 60 dB of gain, -20 dB pads, 60 Hz high-pass filters, and a studio-grade headphone amp for precise monitoring. Ideal for both microphones and Hi-Z instruments, it ensures pristine signal integrity.
The BlueTube DP v2 from PreSonus is a dual-channel preamplifier featuring Dual Path technology, incorporating both solid-state and tube preamplifier stages in each channel. This design allows users to toggle between ultra-quiet solid-state amplification and warm, tube-driven tones with adjustable levels of distortion.
The Faderport 8 from PreSonus is a versatile mix production controller with eight 100mm touch-sensitive motorized faders and digital scribble-strip displays. It features the Session Navigator for easy DAW control, compatible with both Mac OS X and Windows. Supporting HUI and Mackie Control emulations along with native Studio One control, it includes a USB cable and external power supply.
The PreSonus Monitor Station V2 is a desktop control center designed for studio use, enabling switching between three sets of monitors and three input sources. It includes a headphone amplifier with four 1/4″ outputs, each featuring dedicated level control, making it ideal for recording, monitoring, and mixing tasks.
The Sontronics Corona is a dynamic vocal microphone designed with a unique, vintage-inspired look and modern functionality. It features a spring-suspended body within a circular outer ring, built-in pop filtering to manage plosives, and a ported capsule to enhance low frequencies, delivering a richer, fuller sound ideal for live and studio vocals.
The STC-10 is a cardioid condenser microphone designed as an affordable yet high-quality option. Utilizing the same internal architecture as the Sontronics STC-1, the STC-10 is ideal for spot-miking, overheads, drums, percussion, and acoustic instruments. It includes essential features like a built-in attenuation switch (0dB or -10dB) and a low-cut filter (75Hz), making it highly versatile. The STC-10 comes with a mic clip and a foam windshield to reduce sibilance, making it suitable for both musical and film production applications.
