The SKM 184 MT Stereo Matched Microphone Pair from Neumann includes two matched KM 184 microphones designed for live sound, broadcast, and recording. Featuring cardioid condenser elements, they offer high output gain with low noise due to transformerless circuitry and balanced output. Powered via +48V phantom power, they have a 20 Hz to 20 kHz frequency response and handle sound pressure levels up to 138 dB, making them versatile for capturing performances, ambiance, and instruments.
The Neumann M 150 Tube Microphone is a versatile, omnidirectional condenser tube microphone crafted for studio vocal and instrument recording. Modeled after the classic M 50, it features a transformer-less tube amplifier for warm, low-noise audio. The 12mm titanium diaphragm and uniquely shaped head-grille contribute to its acclaimed sound quality, offering a true omnidirectional pattern at low frequencies while narrowing at mid and upper frequencies.
The U 47 fet Collector’s Edition Condenser Microphone from Neumann is a precise reissue of the original U 47 fet, featuring the classic K 47 capsule and renowned for its high SPL handling, making it ideal for use with kick drums and loud guitar or bass amps. It includes a low-cut filter at 140 Hz, a selectable -10 dB pad, and a -6 dB output switch for optimal performance and versatility.
The Neumann U 87 Ai Condenser Microphone features a large dual-diaphragm and allows selection between omnidirectional, cardioid, and figure-8 patterns. It includes a 10 dB attenuation switch to handle sound pressure levels up to 127 dB without distortion and a low-frequency roll-off to manage proximity effects. Ideal for orchestras, individual instruments, and vocals, the U 87 Ai provides flat frequency response for cardioid and figure-8 patterns, ensuring natural sound reproduction even at close range. A high-pass filter reduces low-frequency interference.
The KM 184 is a versatile microphone designed for both studio and live settings, known for its clear sound quality. It is ideal for capturing acoustic instruments such as piano, percussion, drums, and strings, making it suitable for both solo and ensemble performances. The microphone’s excellent off-axis response makes it perfect for stereo and surround recording, ensuring precise audio imaging. While not specifically for vocals, the KM 184 is used for classical and authentic vocal recordings. Its compact design makes it discreet for TV and radio use.
The KM 185 is a versatile studio and stage microphone with a transparent sound ideal for acoustic instruments and demanding applications requiring high rejection at 120° without off-axis coloration. It is often used for classical vocals and sonic authenticity due to its unobtrusive size, making it also suitable for TV and radio.
The black fet100 Series KMS 104 Cardioid Condenser Vocalist Microphone by Neumann is designed for close-range vocal and instrumental performances. It features a condenser capsule with a cardioid pattern that minimizes rear sound interference, a wide frequency response of 20 Hz to 20 kHz, and low self-noise suitable for in-ear monitoring. It includes a balanced, transformerless output, pop-sound protection, a SG105 Stand Clamp, and a padded nylon bag.
The Neumann KMS 105 black microphone is designed for live stage performances, offering high acoustic resolution and a smooth frequency response to provide musicians with optimal control. Its supercardioid capsule effectively suppresses rear sounds, making it ideal for in-ear monitoring with low self-noise and color-free crosstalk.
The U 87 Ai is a renowned large diaphragm condenser microphone, celebrated for its iconic design and exceptional studio-quality sound. Its linear yet characterful on-axis frequency response, dual diaphragm capsule, and unique FET circuit with transformer balanced output make it both versatile and recognizable. Originating from the 1960s U 67 design, the U 87 Ai continues to set the standard for professional audio recording.
The nickel U 89 i Large Diaphragm Condenser Microphone by Neumann features a dual-diaphragm capsule with a rotary switch for five polar patterns, handles sound pressure levels up to 140 dB without distortion, and includes a low-frequency response filter for 80 Hz or 160 Hz adjustments. Ideal for various studio applications, it offers omnidirectional, cardioid, figure-8, hypercardioid, and wide-angle cardioid characteristics.
The Neumann TLM-102 Large-Diaphragm Cardioid Studio Condenser Microphone, styled in a black finish, is designed to handle very high sound pressure levels, making it suitable for recording loud sources like drums and amplifiers while also excelling at capturing vocals and speech. Its frequency response includes a slight boost above 6 kHz for enhanced vocal presence, with linearity below 6 kHz for clear bass. Features include an elastic-suspended capsule to minimize noise, an integrated pop screen, transformerless circuitry, and a compact design.
The Neumann U 67 Set is a nickel-finished large-diaphragm tube condenser microphone that faithfully recreates the classic U 67, favored by vocalists, musicians, and recording engineers. It features the K 67 capsule, BV 12 output transformer, and EF86 tubes for optimal sound quality. With three polar patterns (omnidirectional, cardioid, and figure-8), a -10 dB pad enhancing maximum SPL to 124 dB, and a 20 Hz to 20 kHz frequency response adjustable via a low-cut filter, it offers versatile miking options for a variety of recording scenarios.
The Neumann NDH 20 Headphones are engineered for tracking, mixing, and critical listening with a closed-back, circumaural design. Featuring 38mm drivers with high-gauss neodymium magnets, these headphones deliver accurate sound without distortion or color, offering a frequency response of 5 Hz to 30 kHz. They are crafted to minimize midrange resonances for precise mixing, providing a sonic experience akin to Neumann’s studio loudspeakers.
The Neumann TLM 103 sets new standards in microphone performance with an exceptionally low self-noise of 7 dB-A, high sensitivity of 23 mV/Pa, and the ability to handle sound pressure levels up to 138 dB. Its transformerless output stage delivers an uncolored, true-to-original sound with a clear and powerful bass response, making it ideal for capturing anything from soft whispers to loud bass drums without noise or distortion.
The Neumann TLM-102 Large-Diaphragm Cardioid Studio Condenser Microphone, styled in a nickel finish, excels in recording both high and low sound pressure levels. With its capacity for handling percussion, drums, and amplifiers, it maintains minimal coloration for a clear bass range and enhanced vocal presence. Features include a high SPL rating, fast transient response, elastic capsule suspension to reduce noise, and an integrated pop screen for plosive suppression.
