AH80 multi-input combo features 3 channels, 5-band graphic master EQ and Digital Delay and is designed to cater for a wide number of different instruments. Ideal for duo’s and medium sized gigs, or for bigger gigs it can be used as a personal monitor on stage.
Its compact design is great for small stages and makes it easy to transport around. The AH80 delivers optimum performance, flexibility and sound quality for a wide array of audio inputs: Keyboards, E-drums, mics, acoustic/electric instruments and playback are all at home with the AH80.
The amplifier can be used in two orientations depending on the requirements. Rather than being used in the conventional upright mode, If the amplifier is to be used up close to the player, then the amplifier can be used in a “kicked back” orientation, meaning that the amps output is directed more towards a player’s ears.
The BLACKHEATH is a handcrafted, triple-mode, bass distortion pedal dedicated to giving the bass player all the tonal distortion they are looking for in a single pedal. Featuring 2 different modes of Distortion and an Overdrive, the Blackheath delivers the classic distortion you want, from aggressive distortion through tube-like distortion, to subtle distortions that add character to clean sounds.
Designed to give the player a total command and control over a spectrum of different gains and harmonic distortions from Classic fat rock tones to jangly indie lines, and everything in between. The MONOLITH delivers expressive gain even at low levels. With a very pleasing dynamic response to pick attack the harder you dig, the more expressive it gets. Even at high gain level, when you hit it hard you can still hear every note of big chords as well as the nuances of intricate lead lines.
The Spiral Array – Three beautifully formed, distinctly different chorus pedals in one box. THE SPIRAL ARRAY houses 3 classic chorus sounds, painstakingly recreated from the classic era of Chorus the mid 70’s to the mid 80’s. An analog chorus based on a thick lush 1976 Boss CE1, a spatial digital chorus based off the 1979 Roland Dimension D and the renowned uber rich sounding 1985 Dytronics Tri Stereo Chorus, All in one box.
A versatile Boost pedal with masses of headroom designed to help you push your amp harder and cut through any mix. Ideal for stacking either before or after other gain pedals on your board. Tri coloured LED’s are more expensive than regular single colour LED’s, but we feel they are worth the investment. Where you have a pedal that has multiple modes on a dark stage a tri colour LED gives you a clear visual reference to which mode your pedal is running in. It is important that when you activate an effect there is no switching noise. So, we take great care in designing a switching system that is totally silent in operation. The only thing you should here is a great sounding product.
The Custard Factory is a studio-quality, triple-mode, Bass compressor pedal; In a user-friendly format. Lovingly handcrafted in our UK workshop, in the heart of England. Designed to be transparent, simple to use and deliver a consistent musical sound without impairing any of the fundamental tonal quality of your instrument. The Custard Factory is perfect for giving you the exact compression you’re looking for whatever your bass tone.
This open backed Laney CUB-112 1 x 12 Cabinet is lightweight and easy to transport and makes an ideal partner for any Laney guitar head.
This cabinet delivers pure vintage tone in a small format and can be used in either landscape or portrait and is the perfect partner to the CUB-SUPERTOP. At the heart of the cab is a custom voiced HH driver. This driver features enormously detailed and complex overtones, a warm low-end, a rich vocal mid-range and a beautifully detailed top-end.
Featuring an ergonomic, straight ahead single channel, with three band EQ plus a great sounding footswitchable BOOST function. Loaded with a specially designed and voiced HH Driver the CUB-SUPER10 delivers 6 watts of toneful SINGLE ENDED CLASS A tube tone from the 2 x 12AX7 pre amp tubes and the 1 x EL84 output tube. Real tubes running hot giving you great dynamic tube tone. Fitted with an FX loop and an external speaker socket the CUB-SUPER10 is as happy on stage as it is in the studio.
The Laney CUB-SUPER12 is a great sounding boutique style all-tube amp.
Featuring an ergonomic, straight ahead single channel, with three band EQ plus a dynamic, footswitchable BOOST function. The CUB-SUPER12 features a footswitchable on-board reverb powered by the highly acclaimed spring reverb algorithm from the Black Country Custom SECRETPATH pedal. Loaded with a custom designed and voiced HH 12″ driver the CUB-SUPER12 delivers 15 watts of pure CLASS AB tube and features the ability to be run at <1 Watt by plugging into the <1 Watt input. The CUB-SUPER12 is loaded with 3 hand selected 12AX7 tubes in the preamp and a pair of EL84 output tubes in the output section. The CUB-SUPER12 is loaded with an insert style FX loop and external speaker socket.
The Laney Cub-Supertop 15W tube guitar amp head offers boutique style, an ergonomic, straight-ahead single channel, with three band EQ plus a dynamic, foot switchable Boost function and more. The Cub-Supertop also features a foot-switchable on-board reverb powered by the highly acclaimed spring reverb algorithm from the Black Country Custom Secret Path pedal.
The Cub-Supertop delivers 15 watts of pure CLASS AB tube in a compact portable head and features the ability to be run at 1W by plugging into the 1 Watt input. The Cub-Supertop is loaded with a pair of hand-selected 12AX7 tubes in the preamp and a pair of EL84 output tubes in the output section.
A Class AB power section is based on the notion that music is a waveform and linear in nature – i.e. you only get a +ve section followed by a -ve section, you never get a +ve & -ve occurring at the same time. In a Class AB amplifier, the input signal is split into the +ve and the -ve sides of the waveform and each respective part is sent to a separate tube or tubes and amplified accordingly
Allows you to drive the output stage of the amplifier harder at reduced output levels should you need to use the unit in situations where full volume is not appropriate.
On-board studio quality reverb. Reverb gives you a sense of the space that you are in. A dry guitar signal can sound a little dull. Adding the right about of reverb provides the guitar signal with ambience and brings it to life.
FX loops are important as they allow you to add effects to the signal path in a specific place between the pre-amp and the output section on an amplifier. This is where FX loops are important as it allows you to put time-based FX after the distorted pre-amp section. For example, delayed distortion sounds different to distorted delay – try it.
Laney Amplification began in 1967 when Lyndon Laney, whilst playing in a local band, ‘The Band of Joy’ with John Bonham on drums and Robert Plant on vocals, turned his musical interest into amplifier construction. Initially working in his father’s garage. Lyndon Laney sought to design and build amplifiers with key ‘tonal’ characteristics that were unheard of at the time. Formed in 1967 by Lyndon Laney, Laney Amplification is a West Midlands based guitar and musical instrument amplifier manufacturer who were closely involved with Tony Iommi of Black Sabbath in the birth of the ‘Heavy Metal’ music genre. Since 1967, Laney Amplification has gone on from strength to strength and is now a multinational company that continues to design ‘tone’ solutions to enable musicians of all playing
The Cub10 is driven by a pair of 6V6GT power tubes which deliver 10 watts of classic tube tone. Its 10″ speaker is custom-designed exclusively by HH. The Cub 10 houses a 10″ HH driver. HH have custom-designed the driver exclusively for Laney giving the perfect loudspeaker pairing to the amplifier.
Designed to make tube amps accessible to every player, the Cub10 is a Class A/B design and produces 10 watts RMS of power from a pre amp loaded with 2 ECC83’s and a pair of 6V6GT power tubes.
The CUB12R houses a 12″ driver, giving it an increased volume and full rich valve tone. Looking at the preamp it’s clear that the CUB12R packs more into the amp than it’s smaller siblings. It features Gain, Treble, Middle, Bass, Volume, Tone and Reverb controls. The output section of the CUB12R is based around a pair of EL84 tubes giving it a more scooped tone than it’s smaller counterparts. Think smooth rich overdrive with bags of gain.
The CUB12R features two input sockets one-labeled 15W the other labeled less than one watt. Plug into the “less than one watt” and you get your great tube tone at a whisper. The less-than-one-watt option allows you to drive the power amp section really hard allowing you to really access the “dark art” tone of power amp distortion.
The CUB12R is a member of the CUB range which offers everyone the opportunity to experience the sound and feel of a good quality tube amp at what is an amazing price.
2 x EL84 power tubes combine with 3 x ECC83/12AX7 pre-amp tubes to deliver 15W RMS power with natural drive and warmth. Opt for either the full 15 watts RMS power or <1W power. <1W is ideal for recording and practice without sacrificing tone; 15W allows for stage-ready volume levels. HH custom-designed 12” drivers with open-back cabinet speakers for dynamic, responsive interaction with tube amplifier; integrated tilt stand under the cabinet enhances projection and tonal variation. Independent Gain and Volume control allows preamp drive to be balanced with the output level, progressing from warm cleans to rich overdrives. 3-band tone stack with Bass, Middle and Treble controls; ‘Tone’ control the overall top-end response, reduce upper-end harmonics on the output and pre-amplifier overdrive.
The CUB 8 is a brand new, all tube guitar amp with its roots fairly and squarely back in the very beginning of tube amp production. The design ethos behind the CUB amps is ‘Small is Beautiful!’ There are plenty of situations when small is king and having an amplifier like the CUB 8 allows you to get ‘THAT’ vintage sound. The CUB 8 features a classic single-ended Class A design, and is loaded with a single ECC83 in the pre amp section and a single 6V6GT in the output section generating 5 watts RMS of vintage tube tone. The CUB 8’s control panel is simplicity personified – a tone control, a volume control, Hi and LO input and that’s your lot. The CUB 8 houses an 8″ Celestion driver. Using a CUB 8 is straightforward, plug in, dial in your tone and wind the volume up a little and the 6V6GT’s respond in a bright, bouncy and brilliant fashion. Drive the output section harder and the increased 2nd and 3rd order harmonics give the tone a pronounced bottom end and a lovely lower mid.
