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The FV-30H from BOSS is a volume pedal with a rugged aluminum die-cast body that provides the guitarist or bassist a space-saving solution when the pedal is integrated into their pedalboard rigs. The pedal features a smooth pivot action that insures small volume changes are registered, and a dedicated jack for conveniently connecting to a tuner.
The FV-30L from BOSS is a volume pedal with a rugged aluminum die-cast body for use with low-impedance electronics like synthesizers, other digital instruments, and stompboxes. The pedal is a space-saving solution when included in a pedalboard rig and features a smooth pivot action that insures small volume changes are registered.
The FV500H from Boss is a both a volume pedal and an expression pedal for use with guitars and basses. When the pedal is plugged in between a guitar and an amplifier (or an input on a recording device), rocking the pedal back and forth will raise and lower the volume of the guitar. If you have an amplifier or an effect that can be controlled by an expression pedal, the FV500H has an output that enables it to be used as an expression pedal.
The Boss FV50H Volume Pedal meets the needs of the most demanding users. Use it for a variety of purposes. It’s a high-impedance volume pedal that connects directly before the guitar effects in the signal chain. Its 2-in/2-out design allows you to control stereo keyboards and stereo effect units.
The Boss FV50L Volume Pedal meets the needs of the most demanding users. Use it for a variety of purposes. It’s a low-impedance volume pedal with dual 1/4″ inputs and outputs and is designed for stereo keyboards and stereo effects units.
The FZ-5 from BOSS recalls the sound of classic pedals, such as the Maestro FZ-1A, Fuzz Face, and Octavia pedals, and gives you even more overdrive thanks to its Boost knob. This pedal recreates the classic fuzz sounds of the ’60s and ’70s using BOSS’ proprietary COSM technology.
The GE-7 7-Band Graphic Equalizer from BOSS gives you precise control over your sound, coupled with the convenience and accessibility of a compact pedal. Seven frequency bands, from 100 to 6400 Hz, are controlled by seven mini-faders, each of which can boost or cut the corresponding frequency by up to 15 dB. The pedal can be used to dial in brighter, more biting tones for cutting leads, or to control feedback by bringing down problematic frequencies.
The GEB-7 Bass Equalizer Pedal from BOSS is a 7-band graphic equalizer specially designed for bass guitars and upright bass instruments. The 7 bands offer a 15 dB boost/cut over a frequency range of 50 Hz to 10 kHz, with the 10 kHz band being a high-frequency shelf. With this versatile pedal, you can set the EQ for a high-mid/treble boost for some popping and slapping, or round off the high end and emphasize the low frequencies for a thicker tone. A level control can boost or cut overall volume to balance with your dry signal, or offer a boost while the pedal is engaged.
Designed to take up a small amount of space and deliver a large assortment of effects and tones, the GT-1 from BOSS is a multi-effects pedal driven by its GT-series engine, which gives you access to the textures and tonal qualities of BOSS’s notable effects, amplifiers, and more. With its intuitive controls for creating, editing, and triggering parameters, the pedal is suitable for electric guitar players operating in many disparate genres of music. The pedal features dual outputs, should you wish to route your signal in a stereo plane, and allows you to connect to BOSS Tone Central, where you can download free effects patches and editing software. It’s relatively lightweight at 2.9 lb, and only a foot long from end to end.
Bring along a fully professional guitar setup without breaking your back; the BOSS GT-100 COSM Amp Effects Processor is a multi-effects unit containing a full library of amplifier and effects models to create big and expansive tones without having to lug a couple of 150 watt full-stacks around.
Advanced COSM (Composite Object Sound Modeling) amps model vintage classics and modern amps that deliver well-known and never-before-heard tones. The effects selection includes overdrives, distortions, mods, delays, reverbs, and more modeled from BOSS and other famous manufacturers. Despite all the advanced functionality available, the BOSS GT-100 has an intuitive user interface with dual screens and 8 knobs, precluding the need for menu-diving for tone adjustments.
For extended real-time control over the GT-100’s 400 possible patches (200 presets + 200 user custom patches) extra footswitches or an expression pedal can be added. Use the onboard monophonic Guitar-to-MIDI conversion to drive synths and notation software. Control over MIDI is also available. A USB connection provides a direct digital connection to a computer for direct recording to your DAW and transfer of patches to the BOSS Tone Studio software (Firmware Version 2.0 Required). Patches can be shared with and downloaded from BOSS Tone Central online.
The GT-1000 also brings 116 BOSS effects to the table—and if you find yourself missing any BOSS sound provided, chances are you can beam it into the GT-1000 via Bluetooth, using the BOSS Tone Studio app on an iOS/Android device. A streamlined, yet powerful control interface is provided by ten backlit footswitches, a variety of knobs, a large LCD display, and an expression pedal built right into the board.
1/4″ connections are on hand for your instrument, your main outputs, two effects loops, and more. XLR sub outputs can feed the house PA or your recording interface, while a USB connection can interface directly with your DAW. With MIDI I/O, you can implement the device with a variety of MIDI switches. The unit comes with an AC adapter.
The BOSS GT-1000CORE delivers the sound of the GT-1000 in a compact stompbox form factor. Its 32-bit signal processing, a 32-bit AD/DA conversion path, and 96 kHz sampling ensure that this processor sounds stellar and natural. In a single patch, you’ll be able to access 24 simultaneous effects, including the ability to use two amp mods at once. You can save up to 250 user patches, so you have the ability to save presets for every kind of performance.
In total, the unit provides 140 unique effeects, flexible I/O, a phrase looper, and more. Add this to the ability to use the GT-1000CORE as a USB interface, and the unit is sure to be a boon to guitarists who both record and play gigs. Furthermore, the unit offers high-quality bass patches too, so you can accommodate your low-end needs.
Weighing just under 3 lb, the BOSS GT-1B is an effects processor chockfull of processing tools for electric bass housed in a relatively lightweight enclosure. Users of BOSS multi-effects products will recall the GT-10B; a wide array of preamps offered in that unit have been updated and retooled for this effects processor, and two models new to the lineup have been added. Limiting, distortion, graphic EQ, and more are offered, as are creative processors such as Harmonist, Bass Synth, Defretter, and more. All in all, the pedal sports 90 effects types, giving you 99 preset patches and 99 user patches for tweaking your timbre.
Top-level guitarists looking for an advanced processor with a sleek, ultramodern hardware design will be impressed with the Boss GX-100, a guitar processor with over 23 AIRD amplifiers and over 150 effects derived from the flagship GT-1000 processor. With up to 15 simultaneous effect blocks provided, you’ll have unlimited tone possibilities, coupled with deep, real-time command via onboard footswitches, an expression pedal, and external control support. The rugged all-metal enclosure is designed to withstand the rigors of on-the-road wear and tear. The onboard color touchscreen makes it easy to build your own programs on the fly, or hook up to your Mac/Windows computer via USB and utilize the Boss Tone Studio app.
A partnership between two well-known pedal manufacturers, the BOSS JHS JB-2 Angry Driver packs the respective tones and characters of the BOSS BD-2 Blues Driver and the JHS Angry Charlie into one pedal. Usable in parallel, serial, or individually selectable modes, guitarists can now access—and combine—the sonic signatures of the Blues Driver and the aggressive, rocky tones of the Angry Charlie. The pedal has been issued in the recognizable BOSS compact-housing design.
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