This universal, ultra-compact 2-channel footswitch is an ideal accessory for stage and studio applications. Use it on gear featuring external control functions such as guitar amps, keyboards, rhythm machines, lighting products and so on. You can easily switch between two input signals into one output or vice versa (e.g. switch between two guitars using one amplifier or two amplifiers with one guitar). Latching/non-latching modes are selectable for both channels:
– Non-latch mode momentarily engages the switch while you hold down the pedal
– Latch mode changes the On/Off status each time you press the pedal
We’ve relied on relay switching technology for ultra-high impedance and highest signal integrity. There are dedicated LED indicators for precise status control, and you can combine multiple AB200s by using the side-mount interlock. You will need one 9 V battery for operation (not included).
The 180-Watt ACX1800 features two channels: one with a single 1/4″ input jack and a second with a 1/4″ input and XLR input, making it the ideal amp for a one-person show with an acoustic guitar and a mic for vocals. Just turn the GAIN dial to determine the levels of each channel.
On the back panel, you will find a stereo RCA input for plugging in a CD player. If you’re just getting started as a guitarist, this is a great way to play along with your favorite tunes. Or, if you’re playing an extended set, you can use the CD IN section to provide music during breaks. Two XLR LINE OUT jacks send a signal directly to a mixing board, and you can connect an external effects processor via the 1/4″ INST INS SEND and RETURN jacks.
Behringer’s ACX900 90-Watt, 2-Channel Acoustic Amplifier comes with two 8-inch dual-cone BUGERA speakers, which provide true acoustic fidelity. You can produce the exact sound you are looking for with the two independent FX processors and the 7-band graphic EQ for each channel. The revolutionary FBQ Feedback Detection system helps you detect and correct feedback quickly. In addition, the ACX900 has a dedicated tuner switch for each channel that can be used with an external tuner. It also has FX inserts and a balanced stereo XLR line out with a ground lift switch to enable a direct connection to your mixing console. It also comes with the FS112 dual footswitch and a one year warranty.
For an unplugged sound that’s rich, loud and electrifying, step on the V-TONE ACOUSTIC DRIVER DI ADI21. This amazing little box is essential for piezo-equipped guitars and will make your acoustic guitar sound come to life! The ADI21 combines the features of an active DI (direct injection) box with our proprietary tube/mic emulation circuitry. Enjoy a full 3-band EQ with sweepable mids and a Blend control that allows you to mix the amount of amp and mic emulation you want with your direct signal. And if you prefer the “old-school” approach, just step on the switch and the ADI21 functions as a rather superb active DI box.
Having to switch out your trusty electric for an acoustic guitar in the middle of a set puts a real drag on your show’s momentum. That’s why BEHRINGER created the ACOUSTIC MODELER AM100, the pedal that transforms your favorite electric axe into a rich, resonating acoustic—faster than you can say the times, they are a-changin’.
With the flip of a switch, the AM300 can produce the sound of four different acoustics: Standard, Large, Piezo and Bright. Thanks to its Out and Dir Out jacks, the AM300 functions very much like an A/B box. Just use the Dir Out to send your unprocessed electric guitar signal to your onstage amp, and the Out jack to send the processed acoustic signal to the main/monitor mixer(s).
Love the sound of your favorite acoustic guitar on certain songs, but don’t want to bring it to the gig for just one or two songs. That’s why we created the ACOUSTIC MODELER AM400, the handy shape-shifting pedal that transforms your favorite electric guitar into a rich, resonating acoustic. Faster than you can say the “times, they are a-changin”, you can add those dulcet tones to any song – by simply stepping on the AM400!
If youÂ’re tracking more than one musician at a time, or if everyone in a group wants to listen to a playback, you need a monitor distribution system. The compact, flexible AMP800 can power up to 8 pairs of headphones and up to 2 different stereo mixes.
Receive free over-the-air (OTA) HD broadcasts with the ANTOP Antennas AT-108 Indoor HDTV Antenna. It features a multidirectional design, so there’s no need to point the antenna for signal strength. Once installed, it has an operation range of up to 30 miles.
The ULTRAGAIN DIGITAL ADA8200 from Behringer is an analog to digital, and digital to analog converter that provides 8 analog inputs and outputs, and 8 digital ADAT inputs and outputs.
Each analog input features a MIDAS mic preamplifier and XLR and TRS jacks for connecting mics, keyboards, and more. Each analog output features an XLR jack for sending signals to analog mixing consoles, headphone amps and other devices. Housed in a single-space 19″ rack-mount enclosure, this unit can be used in your home or project studio to add I/O to your rig for recording and mixing by connecting into your ADAT equipped audio interface.
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nThe Behringer Firepower FCA1616 is a 16×16 FireWire/USB 2.0 audio/MIDI interface that offers a rich feature set and plentiful I/O options for a surprisingly low price. The unit sports 4 front-panel mic/instrument combo jacks—equipped with Behringer’s top-of-the-line XENYX microphone preamps—as well as 4 balanced line inputs, 8 balanced line outputs, and MIDI in and out jacks on the rear-panel.
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nDigital I/O includes TOSlink optical in and out connectors, which support up to 8 channels of ADAT, 4 channels of S/MUX, or 2 channels of S/PDIF. A pair of RCA jacks are also included for S/PDIF. When both analog and digital I/O are utilized, the unit is capable of streaming 16 inputs and 16 outputs simultaneously. If you want to expand the channel count, the optional Behringer ADA8000, an 8-Channel A/D and D/A converter equipped with 8 mic preamps and an ADAT interface, can be easily integrated.
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nEach front-panel input channel is equipped with an input-level control knob, a 48V phantom power switch, a switch for a low-cut filter (great for preventing the pickup of low-end rumble), and a Hi-Z switch with an LED indicator. When activated, the Hi-Z switch sets the input to handle high-impedance sources like guitars and basses.
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The Behringer Firepower FCA1616 is a 16×16 FireWire/USB 2.0 audio/MIDI interface that offers a rich feature set and plentiful I/O options for a surprisingly low price. The unit sports 4 front-panel mic/instrument combo jacks—equipped with Behringer’s top-of-the-line XENYX microphone preamps—as well as 4 balanced line inputs, 8 balanced line outputs, and MIDI in and out jacks on the rear-panel.
Digital I/O includes TOSlink optical in and out connectors, which support up to 8 channels of ADAT, 4 channels of S/MUX, or 2 channels of S/PDIF. A pair of RCA jacks are also included for S/PDIF. When both analog and digital I/O are utilized, the unit is capable of streaming 16 inputs and 16 outputs simultaneously. If you want to expand the channel count, the optional Behringer ADA8000, an 8-Channel A/D and D/A converter equipped with 8 mic preamps and an ADAT interface, can be easily integrated.
Each front-panel input channel is equipped with an input-level control knob, a 48V phantom power switch, a switch for a low-cut filter (great for preventing the pickup of low-end rumble), and a Hi-Z switch with an LED indicator. When activated, the Hi-Z switch sets the input to handle high-impedance sources like guitars and basses.
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nThe F-Control Audio FCA202 from Behringer, is a basic two input/two output FireWire audio interface, that can handle 24-bit audio, with sampling rates of up to 96kHz.
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nLow latency drivers for both Mac OS X and Windows XP provide stable operation. The interface is bundle with a selection of recording and editing software, including Ableton’s Live Lite 4 BEHRINGER Edition.
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The F-Control Audio FCA202 from Behringer, is a basic two input/two output FireWire audio interface, that can handle 24-bit audio, with sampling rates of up to 96kHz.
Low latency drivers for both Mac OS X and Windows XP provide stable operation. The interface is bundle with a selection of recording and editing software, including Ableton’s Live Lite 4 BEHRINGER Edition.
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nThe Behringer UCA202 is an ultra-compact, bus-powered interface that can link a Windows or Mac computer with any audio gear. There is no setup or special drivers needed.
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nThe interface provides two analog inputs and outputs, as well as an additional S/PDIF optical output for direct digital conversion. The stereo headphone output with dedicated level control allows for monitoring both input and output.
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nThe U-CONTROL download area at Behringer’s website offers a huge software package for recording and editing making the interface a complete audio solution, which provides a connection between the analog and digital domain.
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