Showing 76–90 of 132 results
From elastic delay to vintage slap-back echo, the VINTAGE DELAY VD400 harnesses the authentic sounds of classic 1960s studio wizardry. Enjoy up to 300 ms of true analog delay plus the advantages of an superb noise reduction circuit!
The VINTAGE TIME MACHINE VM1 effects pedal got its name with good reason it features an awesome combination of classic analog effects that have stood the test of time. Dial in the sounds of the 1970s with this fantastic piece of gear and let your sounds travel comfortably back in time!
With the VINTAGE TUBE OVERDRIVE VT911 effects pedal, you get distortion with the distinctive tonal quality that only a real tube can deliver, bringing vintage sound back to life. Get a whole tube amp in a pedal and take off with anything from warm blues overdrive to heavy distortion!
The VINTAGE TUBE MONSTER VT999 effects pedal has that full-tone roar of a tube engine under its hood, letting you take off with anything from warm blues overdrive to heavy distortion. Add to this the excellent build quality and true-bypass wiring, and you begin to see just how monstrous this pedal really is!
The CH-1 Super Chorus Pedal from BOSS is a compact chorus pedal with a clean, brilliant sound for guitar and keyboards. Effect Level, EQ, Rate and Depth knobs allow for precise shaping of your sound, and the pedal features a Mono input and Stereo outputs for connection to dual amps.
he DS-2 Turbo Distortion features twin modes for an expanded range of distortion–taking users from blues-rock rhythms to searing leads at the press of a pedal or twist of a knob.
Designed to conserve valuable space on cramped pedalboards, the EV-30 from BOSS is an expression pedal which provides variable control over two different devices from one pedal. The EV-30 utilizes a die-cast aluminum chassis to ensure durability, and provides an internal mechanism to offer a smooth feel while actuating precise parameter control.
The GE-7 7-Band Graphic Equalizer from BOSS gives you precise control over your sound, coupled with the convenience and accessibility of a compact pedal. Seven frequency bands, from 100 to 6400 Hz, are controlled by seven mini-faders, each of which can boost or cut the corresponding frequency by up to 15 dB. The pedal can be used to dial in brighter, more biting tones for cutting leads, or to control feedback by bringing down problematic frequencies.
The ML-2 Metal Core Distortion from BOSS is a pedal that delivers the super-heavy distortion sounds for playing Nu Metal, Grind Core, Industrial, Hard Core, or any genre that requires over-the-top saturation. This heavy distortion gives your tone a sharp-edged attack, ideal for galloping metal riffs with plenty of palm muting.
Get yourself 13 hours of stereo recording time and a pristine sound with the BOSS RC-500 Loop Station, a looper pedal for electric guitarists and vocalists. Loop vocal parts and guitar parts for all your improvisations or songs. They’ll be replayed in stellar sound quality, thanks to the 32-Bit AD/DA engine and 32-Bit onboard DSP.
The pedal supplies 16 built-in rhythm its with 57 patterns, and 2 variations per pattern. This lets you use the pedal to create your own one-person band. You can apply effects to the loops for experimental, esoteric purposes, and you can add reverb to the rhythm parts. Store any pattern you like into a memory slot; you’ll have 99 in total.
The RC-500 has an XLR input for microphones. Use it to power condenser mics with phantom power if you so choose. You’ll also find a stereo 1/4″ path for instruments, as well as a control/expression jack and MIDI I/O over 3.5mm connections. Power the unit off alkaline batteries, or pick up a separately available AC adapter to run the RC-500 right off your pedalboard’s power supply.
A versatile Boost pedal with masses of headroom designed to help you push your amp harder and cut through any mix. Ideal for stacking either before or after other gain pedals on your board. Tri coloured LED’s are more expensive than regular single colour LED’s, but we feel they are worth the investment. Where you have a pedal that has multiple modes on a dark stage a tri colour LED gives you a clear visual reference to which mode your pedal is running in. It is important that when you activate an effect there is no switching noise. So, we take great care in designing a switching system that is totally silent in operation. The only thing you should here is a great sounding product.
The Laney Digbeth DB-PRE is designed to give you the freedom to take your bass sound with you anywhere you go. Featuring both FET & TUBE signal paths and with incredible tone shaping capabilities, the DB-PRE is loaded with comprehensive ins/outs allowing it to be your main standalone bass tone as well as part of any existing bass rig. Perfect for the versatile bass player who wants total control over their sound.
Tilt is a dynamic, powerful SEE SAW EQ control. This control has a central neutral position. Turning the control clockwise increases the overall mid to high frequencies and decreases the lows thereby giving your sound more presence, which can be useful for cutting through live band situations. Turning the control anti clockwise reduces the overall mid to high frequencies and increases the lows making your overall sound rounder.
The Laney Ironheart IRT SLS 300W Amp Head is a versatile and highly portable guitar amp head. It features 3 channels covering clean, rhythm and lead sounds. Two different power modes give a versatile range of power outputs from less-than 1 Watt up to 300 Watts, while the ECC83 preamp tube delivers real valve tones. The amp can be used silently without a cab and features improved cabinet emulations, making it ideal for studio use. This amp only weighs 3.5 KG so is the ideal “Fly Rig”, and will make touring and gigging an easy task.
This compact, true-bypass boost pedal is built to the specs of legendary Black Sabbath guitarist Tony Iommi. With mono/stereo output, versatile EQ controls, battery-optional power and more, this secret weapon will let you tear a hole in the sky.
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